
Gerald Getkate making clogs at Täljfest 2019
In my lectures at both Spoonfest and Täljfest, I referred to an excerpt from Mary Oliver’s poem Sometimes:
Instructions for living a life:
Pay attention.
Be astonished.
Tell about it.
Astonishment comes easy at Sätergläntan, the traditional crafts school in Insjön, Sweden and home to Täljfest 2019. The school offers open week-long classes in the summer while being dedicated to full time students the rest of the year. The students have quite a setting!
After the train ride through the Swedish countryside, I had come to expect the red and white paint on the buildings. Some of them are new, but many are old cabins that have been moved to the location over the years.
This log building sits on a hillside overlooking the forested valley.
The view from the other side of the window shows the sheep whose fleece is used by the textile craft students at Sätergläntan.
Frederik kicked things off. I was able to snap a photo, but I missed more photos than I got. Not a single photo of Jögge Sundqvist or many other people that were a central part of the event. No photos of the incredible food served up for every meal by the talented staff. No photos of my first Scandinavian sauna. Here are some more of what I did get, and there are plenty more floating around out there on the net, I suppose.
The carvers in my classes were ready to roll. Thanks to the volunteers, current and former Sätergläntan students, all of the preliminary work to prepare the blanks was done ahead of time so that the students could jump right in and make the most of the three hours.
Although we spent a little time at the chopping blocks, most of the work was done in the Sätergläntan woodshop at workbenches. The focus was on understanding basic design principles and techniques.
It was an international bunch of carvers with a lot of experience, skill, and humor. Craft is a universal language. In the middle in the photo below is Julia Kalthoff who makes a great carving axe. She had them on hand at the festival to try.
Every time you turn your head at Sätergläntan, you find inspirational pieces that are used there like this lidded bowl,
and these two beauties by Bengt Lidstrom that have been in use for a couple decades:
The visiting instructors brought some of their work. Just one example is this small sampling of pieces by Anja Sundberg.
And the work brought by the festival attendees was incredibly inspiring as well. How about this shrink pot by Per Norén!
Amazing baskets and tool holders of all sorts were everywhere. I loved this one of split pine. I think it was Ulrika Eckardt’s.
Hiking trails surround the school, flanked by wild blueberries and spectacular views.
Evenings were time for free carving and fun and games. We had a spirited game of Kubb going. Some of you might recognize world traveler Brad van Luyt from Australia up there on the left in the green jacket. He was an ace.
The Kubb King of the Täljfest! Long live the king!
The King is dead.
Swedish pancakes. They have carrots in them, but they’re still good. Who knew?
Before taking the train to Sätergläntan, Noah and I were able to spend a couple days in Stockholm. I think that’s the City Hall building above.
The city, made up of a number of islands, was beautiful and vibrant. This is a shot of the Old Town area, right beside the Nobel Prize Museum.
We visited the Nordic Museum.
In one room, this rocking bird made by Bengt Lidstrom was there offering children a ride.
This windmill was at Skansen, an open air museum full of authentic old buildings and artifacts.
And of course, we couldn’t miss the Vasa Museum. The ship is amazing, but the story is even better.
The walk along the waterfront to the museums is pretty nice as well.
In the closing ceremony of Täljfest , Jögge summed up the excitement and good feelings that were shared by all, then we sang a delightful song about little frogs and danced. Täljfest only happens every three years, so you’ve got time to make your plans for 2022!
These photos are incredibly inspiring! Thank you for sharing some of the lovely things you saw on the trip.
LikeLiked by 1 person
Wow, Dave! Thank you for sharing. Wonderful drawings and impressive, inspirational craft work.
LikeLiked by 1 person
Beautiful and amazing!
LikeLiked by 1 person
Dave, looks like you had a great trip and how fortunate you were to be able to bring Noah along!
Looking at the class pictures with their bowls, I noticed how small they were compared to similar classes here in the states. I imagine that’s due to the “stock” that’s available. I was wondering, were they able to work with and adze or was the hollowing out done with bent gouges?
LikeLike
Hi Gene. It wasn’t a stock issue, but rather a time issue. The allotted time for the classes was only three hours, so we kept things very small. We were able to do a bit of work with the adze, but it wasn’t really necessary — we went to bent gouges pretty quickly. So the class was not heavy on adze or axe technique, more about the basics of design, layout, general procedure and possibilities.
LikeLike
Love the stories and pictures Dave. Next best thing to being there. I can dream of going one day. I want to make spoonfest too.
LikeLiked by 1 person
Did you happen to catch what kind of paint Anja Sundberg uses on her gorgeous pieces? Her colors are lovely and deep.
LikeLike
Artist oils, Kalia. It was great to get the chance to talk with Anja about her work. She is so humble about it, and such a kind person. Her pieces just blow me away — brilliant, alive, fun, masterfully executed, just fantastic in every way.
LikeLike
Your work is beautiful and I would love to do as you do but I have real trouble sharpening my gouges. Can you please give me a bit of advice or advise a website? Not a problem if you can’t I imagine you are really busy.
Zoe – south west of Western Australia
Sent from my iPhone
>
LikeLike
Zoe, this post https://davidffisherblog.wordpress.com/2016/07/28/whats-wrong-with-this-edge/ may be of some help to you. When I sharpen my gouges, I rotate the bevel from one corner to the other as I slide the bevel along the length of the stone. I move the tool side to side, rather than pushing and pulling as when carving. Then I work the inside with a very fine slip stone. I’d highly recommend Chris Pye’s book “Woodcarving Tools, Materials, and Equipment.”
Keep at it. You’ll get over this hurdle and have your gouges singing with you.
LikeLiked by 1 person
Thanks for taking us along on the trip, Dave. Looks like it was a once-in-a-lifetime experience.
LikeLike
Thanks for sharing!
LikeLike
Hey Dave, that’s tops!
Thanks for sharing. Great memories. Hope to see you again one day. Australia has some good bowl woods, you know. Just sayin’…
Cheers,
Brad van Luyt (world traveller and ace)
LikeLiked by 1 person
Pingback: Spoons! | David Fisher, Carving Explorations
Pingback: 2022 Slöjd Fellowships | David Fisher, Carving Explorations