On Second Thought…

img_7699-001

After considering the whole line-up of Greenwood Fest 2017 pre-fest courses, I’ve decided that we’ll make bowls that have us swinging boldly.  I love bird bowls too, but many of the skills involved in making them are shared by spoon carving and there are many incredible options along those lines available there already.  So we’ll be making the big chips (and eventually some smaller chips) as we carve beautiful and functional bowls from logs in the shade of the trees.  Still two days before registration opens; Paula has things updated and ready to go on the Greenwood Fest site.

Posted in Uncategorized | 10 Comments

Serving Board

img_0413

Look at all of that flat surface, 8 x 20 inches of it!  Not a hollow in sight.  So when I made this walnut serving board recently, I just had to sculpt the bottom.

img_0401

img_0402If you’re short on green wood, this might be a great project that will help hone your adze skills.  I started with a dry walnut board, 1 1/2 inches thick, that I had around.  I penciled some guidelines on the edges, then worked cross-grain with the adze — working in toward the middle from both edges to avoid blowout.  I quickly pared over that surface with some cross grain gouge work, then hand-planed the top smooth.

The recipient is fond of the pineapple motif, so I carved a series of them on each end using simple gouge chip cuts.  I first realized the incredible possibilities of this technique through Peter Follansbee’s work in reproducing the furniture and carving patterns of the 17th century.  Here is just one of Peter’s posts over the years incorporating the technique in a variety of ways.

This slideshow requires JavaScript.

Essentially, you drive a gouge straight down, then make an angled second cut somewhere behind that to remove a chip.  By varying the size and sweep of the gouge, the distance between cuts, and the arrangement of the elements, all sorts of interesting shapes and patterns can be created.  Effective and a lot of fun.

 

 

 

 

Posted in finding wood, patterns, Uncategorized, walnut | Tagged , , | 10 Comments

Dickinsons Reach Calendar 2017

img_0418

Today, I received in the mail my Dickinsons Reach Calendar for 2017.  I love the simplicity of these durable card stock calendars, and they can be saved for future inspiration and to use as a calendar again — in this case for 2023 and 2034!

Each page of this one features thoughtful quotes paired with the beautiful paintings of Margaret La Farge.  Check it all out here and explore the ongoing efforts of the Dickinson’s Reach Community to encourage continued exploration of Bill Coperthwaite’s ideas.

Posted in books, nature, quotes and excerpts, Uncategorized | Tagged , , | 4 Comments

Greenwood Fest 2017

greenwood-fest-cartoon_newGreenwood Fest 2017 promises to be even better than last year’s inaugural event.  Paula and Peter have things all set up on a snazzy new website, Peter has been highlighting the instructors on his blog, and truckloads of coffee are being steadily delivered to Pinewoods Camp.

As you can see on the Greenwood Fest website, there will be seven pre-fest courses going on simultaneously!  If I weren’t busy, the hardest decision would be which one to take.  Before enrollment opens on January 4, I thought I’d take a moment to elaborate a bit on my plans for the pre-fest course as well as the add-on three hour workshop.

IMG_8608

The two-day courses are spread over three days, from lunchtime on the 6th to lunchtime on the 8th.  I decided that the time frame and situation would be a perfect opportunity to make bird bowls.  If birds aren’t your thing, no problem; I will have an example of a bowl based on the same design, but with handles not representing the front and back ends of a bird.  The important thing is that we will be taking the time to explore, with our minds and hands, the flexible concepts and skills involved in making beautiful bowls of of many sizes and forms.

Last year, we worked with bird bowls in the short add-on workshop, but it was just enough time to scratch the surface.  So I’m excited to have two full days to dive into design, layout, variations on forms, hollowing, hewing, paring, texture, decoration, and more.  The chips will fly, but at a pace that should be comfortable for all of us.  And these bowls won’t require workbenches and horses — which is good, because with seven classes going on, we might have to fight for them!  We’ll have chopping blocks ready, and you’ll just need a few sharp tools.  More details can be found at the Greenwood Fest website.

img_0299

For the three-hour add-on workshop that will take place during the Festival weekend proper, I thought we’d explore knife lettering.  We’ll talk about lettering design and we’ll practice technique.  After we’re getting the hang of things, I’ll assist as you design and cut some words on a spoon, kuksa, shrink pot, or some other item you’ve brought — or we’ll have plenty of odd bits of wood to use.  I’ll be using my preferred pocket-knife pen blade, but any knife with a small blade will do, so bring whatever knife you’d like.

img_9459-001

And then there will be other demonstration time, during which I’ll be swinging axe and adze at chunks of wood that may become bowls.  I’ll have time to figure out the details, but lots of techniques with various tools will be demonstrated and discussed.

Most of all, I look forward to being together with a wonderful group of people, enjoying time in the woods among the chips.  Hope to see you there.

 

 

 

 

 

Posted in classes, events, green woodworking, sketch, teaching, Uncategorized | Tagged , | 6 Comments

Shrink Pots with Roy and Peter

Image result for underhill follansbee shrink box

Now here is TV worth watching…two of my heroes making shrink pots.  I checked, and apparently The Woodwright’s Shop is not number one in the TV ratings — a mystery that may help explain my difficulty relating to the wider world!  Well, it’s number one in the hearts of a lot of other folks.  After all, The Woodwright’s Shop is now in it’s 36th season!

If this episode fires you up to make a few of your own and you want to read a little more about them, I’ve written a few posts about shrink pots including this one discussing some methods.  Here are a few more.  I hope you get to make some shavings this weekend!

Posted in green woodworking, shrink box, Uncategorized | Tagged , , | 7 Comments

New Evening Trees Shrink Pots

img_0305

img_0338

Detail of the undulating rim of the shrink pot.

Like most things I make, work on shrink pots occurs in two stages — wet and dry.  After the pot has dried, I go over all of the surfaces again to leave a burnished and clean surface.  I’ve finished a few more “evening trees” shrink pots, this time in red maple.  It is harder than the aspen I’ve used for some, but I like the sharp contrast created by the cuts in the crisp white wood.  Which means I also needed to clean up the interior surfaces by slicing with a hook knife.  Its a little harder now that the bottom is in making it impossible to work from both ends, but I reach down as close to the bottom as I can.  I like the wavy rim, and it also provides some resting areas for various things that may lean against the inner edge.

img_0348-001

The dimensions vary slightly, but they are around 3 1/4 to 3 1/2 inches in diameter and around 5 inches high, give or take.

Posted in shrink box, trees, Uncategorized | Tagged , , | 5 Comments

Cena Parata Est

img_0299

In seventh grade, I found myself enrolled in Latin class.  Given my lack of effort and interest, it’s a wonder that I retained anything.  I do remember that my class name, Pisces, was a big hit, mostly because the Latin pronunciation sounded a lot like “piss case.”

Since then, my interests and maturity have expanded.  I even decided to carve a Latin phrase into the handle of this cherry serving spoon.  I suppose I could have used the English translation, “Dinner is served,” but I like the bit of mystery the Latin brings to this spoon. Plus, “Magistra” would be so proud of me — awestruck actually.

The requester of this spoon wanted lettering, but gave me the freedom to decide what and how; I enjoy thinking about the design and the focused work of carving the letters. It’s one of the topics I’m planning to get into at Greenwood Fest 2017.  If you haven’t heard yet, Peter, Paula and the rest of the great folks with Plymouth CRAFT have taken on the Herculean task of organizing a second Greenwood Fest.  Peter wrote a bit about it recently here.  They’ve been kind enough to invite me back, and I couldn’t be more thrilled. To keep up with more information as it is released, sign up for Plymouth CRAFT’s e-newsletter here.

img_0287

 

Posted in cherry, classes, events, green woodworking, Lettering, spoons, teaching, Uncategorized | Tagged , , , | 7 Comments

A Bowl for Enkidu

img_0261

It seems that our problem with portion control goes back at least 4700 years.  In the Epic of Gilgamesh, probably the oldest recorded story in human history, Shamhat is tasked with civilizing the wild beastly man Enkidu.  To lure him away from his animal lifestyle, she first seduces him (which, as it turns out, didn’t require much of a plan), then introduces him to bread and beer.  After getting to know Shamhat, eating some bread, and drinking seven jars of beer, he assimilates.

Who knows how big those jars were, but if Enkidu had used this diminutive bowl, he may have kept his head better.  It only holds about eight ounces, a half-pint.  A small ale bowl, or maybe an ideal wine bowl (7 3/4 inches long, 5 inches wide, 5 inches high).

This slideshow requires JavaScript.

 

 

Posted in ale bowls, bowls, historical reference, Uncategorized | Tagged , , , , | 11 Comments

Roof Top Bowl

img_0223

Most of us are familiar with the two usual orientations for bowl carving: working “upside down” into the bark side of the bowl (an innovation that Bengt Lidström was known for), and working into the flat split surface of the half log.  Even with the same form laid out on the upper surface, these orientations result in completely different three-dimensional forms.  By playing around with these initial surfaces, we can vary our designs in interesting ways.  One variation that I’ve tried this year is what I call, for lack of a better term, a roof top bowl.  Here is an example in alder.

IMG_9202

The idea is to split the log to create an angle, rather than a flat, on the upper surface.  This could be done by riving off another piece of a half-log, going for the split-into-thirds, or even splitting into quarters.  For more information on riving into thirds, check out the latest newsletter from Country Workshops.  (As a side note, Drew tells me that they’ve just been getting in their long-awaited orders from Hans Karlsson and Svante Djarv.— fresh tools!)

I flatten the split surfaces before layout.  There is no single best angle, so go with what the log gives you and have fun exploring.  The result is a bowl with an upswept rim as with an “upside down” bowl, but with a peaked center that lends itself well to certain designs.

IMG_9204

I chose to undercut the interior of the rim, but it would be simpler to have a narrower rim with no undercut.  I’ve indicated both situations with the dotted lines on the left side of the bowl cross-section in the top sketch.  And, of course, the exterior tapering flutes and all that are just another option.

IMG_9197

This example is 18 inches long, 11 inches wide, and 5 inches high.

Posted in bowls, layout, patterns, proportions, sketch, Uncategorized | Tagged , , | 15 Comments

Cold November Rain

img_0213

As I happily remain in the shop this morning, in my head I hear Axl Rose’s refrain.

img_0204

Positioning the light for carving

I’m carving flutes along the outer surface of this little “wine bowl.” This is quiet, contemplative work that seems to fit a rainy morning.  The mood lighting is not an effect for the photograph.  I leave the overhead lights off and move this old desk lamp around to get a raking light that makes the ridges between flutes appear more clearly as I carve.

I do sketch some pencil lines to serve as a general guide for the fluting, but ultimately it is the subtle variations of the gouge cuts that defines them.

img_0189

img_0198

Sam with cherry logs

As the day moves on and the neighborhood awakens, I’ll turn to more vigorous work on these cherry logs from a tree that went down up the road.  Most will get their ends painted and be set aside for awhile.  I may start to rough a couple chunks, as I did with one already.  Every tree, even within a species, has its own character.  Some are sweet and cooperative and others are more brash and resistant.  When I make the first piece from a tree, we get to know each other.  I’ve roughed out one bowl from this tree, and I think we’ll get along just fine…

This slideshow requires JavaScript.

After hollowing the lip under the rim with the adze, I further shaped the area between that hollow and the bottom edge to form a flowing reversing curve.  There will be some photos of that when the piece is finished. I’ll have to wait for it to dry before I refine it, but I’ve got some other projects to work on before I “end up walkin’ in the cold November rain.”

 

Posted in adze, ale bowls, bowls, carving, cherry, finding wood, green woodworking, holding, quotes and excerpts, trees, Uncategorized | Tagged , , | 8 Comments