Wander to Wonder

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Lettering on “Not all those who wander” bowl II.

I guess I can’t get Tolkien’s words out of my mind.  This is the second time in a few months that I’ve carved the same line onto a bowl: “Not all those who wander are lost.” I wrote a post about the first one in February.  This time, the canvas was a bowl of my more usual form.  Different bowl, same lettering style — just adjusted to fit the new field.  I’ll be taking this one to Greenwood Fest, as I’ll be short on examples as it is.

I guess the line resonates with folks for as many reasons as there are ways to wander.  I often wander on walks through woodlands with my dog, Sam.  We never  tire of making new discoveries along the riverside.

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Maybe the magic of these meanderings lies in the rhythms of nature.  Sycamore fruits wait against a clear blue winter sky for the coming of spring, when they will scatter their tiny seeds, each one storing awe-inspiring potential.

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The Dickinsons Reach Calendar brings such thoughts to mind this month with a quote from Rachel Carson:

“Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts.  There is something infinitely healing in the repeated refrains of nature — the assurance that dawn comes after night, and spring after winter.”

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It seems to me that much of the allure of wandering centers around mystery.  I think I wander to wonder.

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I recently read Peter Wholleben’s The Hidden Life of Trees.  He embraces this sense of wonder:

“Under the canopy of the trees, daily dramas and moving love stories are played out. Here is the last remaining piece of Nature, right on our doorstep, where adventures are to be experienced and secrets discovered. And who knows, perhaps one day the language of trees will eventually be deciphered, giving us the raw material for further amazing stories. Until then, when you take your next walk in the forest, give free rein to your imagination-in many cases, what you imagine is not so far removed from reality, after all!”

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The book is full of revelations, and the more that is revealed the more the mystery expands.  I hope you have a chance to wander and wonder a bit this weekend.

 

Posted in books, Lettering, nature, quotes and excerpts, Uncategorized | Tagged | 4 Comments

The Infant of the Sword

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“I suppose every one must have reflected how primeval and how poetical are the things that one carries in one’s pocket; the pocket-knife, for instance, the type of all human tools, the infant of the sword. Once I planned to write a book of poems entirely about things in my pockets. But I found it would be too long; and the age of the great epics is past.”

— G.K. Chesterton, A Short History of England (1917)

I live in pocket knife territory, and I don’t mean where they’re carried — but where some of the best are made.  Probably the most famous of them all is W.R. Case & Sons.  They make their legendary knives in Bradford, Pennsylvania (where they also make Zippo lighters) — a little over a hundred miles north east of me.  Queen Cutlery makes beautiful knives in Titusville, Pennsylvania (that also claims the world’s first oil well in 1859), about 45 miles north east of here.  And Flexcut has added pocket knives to their line of tools.  They’re about an hour’s drive north of me in Erie, Pennsylvania.

I have a pocket knife from each of them, although I’m not a collector.  For me a pocket knife is the ultimate in convenient utility.  It rides along in the bottom of a pocket, just noticeable enough to provide confidence in one’s preparedness.  Open that package, pop out that splinter, shave that marshmallow-roasting stick, cut that cord!  And sharpen that pencil with style — one of life’s little joys, and great practice for knife control.

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Although I do most of my knife carving with a fixed-blade sloyd knife, a pocket knife makes an ideal carving companion — and it’s always there when an opportunity presents itself.  I’ve discussed a few times on the blog how I use the pen blade of my pocket knife for lettering, as on the bowl in the above photo earlier this week.  Although other knives, folders and fixed-blade, will do the job, I prefer the pocket knife in the top photo.  It is made by Böker and it’s an old friend of nearly twenty years, so I’ve become used to it.  They still make the pattern, which is the “Whittler.”  Mine has carbon steel blades that take a very keen edge (although, admittedly, I know very little about the technical differences in blade steels), and the slightly serpentine handle nestles right into the web of my hand.

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The handle scale material doesn’t effect performance, and you’ll find several options available.  And a search will yield a variety of prices, even for the same exact knife, so if you’re looking to get one you may want to search a bit.  Regardless, it will be a small price to pay for a loyal friend.

 

Posted in carving, Lettering, tools, Uncategorized | Tagged , , , , , | 8 Comments

Bring Your Adze

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Just a quick post to say that a spot has opened up in my pre-Fest bowl carving class in Plymouth.  It’s only three weeks away.  If you can squeeze it in, we’ll have a blast making some chips fly together!

 

Posted in sketch, teaching, tools, Uncategorized | 5 Comments

Hold It!

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I snapped this photo while carving on this cherry bowl recently.  I’ve used holdfasts for a long while now, but I still marvel at their nimbleness and versatility.  With a scrap of rubber belting under the bottom and a couple rubber pads under the holdfasts, the bowl is held solidly.  The grip of the rubber really makes a difference, and there are odd scraps and such that can be found all over the place; the white circles in the photo are meant to go between a grab-bar and a tile wall.  If you can’t locate any scraps, this stuff at Tractor Supply works well and is super tough.

By the way, if you’ve signed up for my pre-fest bowl carving class in Plymouth, bring a couple holdfasts if you can.  Here’s a post about holdfasts I wrote a while back.  All you need is a bench of some kind with some holes through it.  But what if there are no holes and you aren’t allowed to bore any?

Here’s one idea: try a ratchet strap.  These things are pretty ubiquitous now for securing loads.  Although, I must admit I’m more impressed by the guys, Like Pret Woodburn, who know how to properly secure a load tightly with rope (a.k.a. “pot wop”).  I tried this little experiment below and it really secured the bowl well.  Could flip the bowl over and all that, too.  I much prefer holdfasts, but in a no-holes situation, it’s another option.

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I sometimes use these ratchet straps when crosscutting a log.  Most of the time, I just use a chainsaw to cut a log to length or to cut the painted ends off of a stored log. But sometimes I’ll use a one-man crosscut saw that I picked up years ago at a yard sale. Problem is that, with shorter chunks of log, the log just wants to rock and roll with the force of the saw.  A band clamp makes the log one with the sawbuck and works great.

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Here are some shots of the finished bowl.

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Posted in bowls, cherry, holding, patterns, Uncategorized | Tagged , , | 10 Comments

Framed

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IMG_1775I recently had the opportunity to play a part in a very special occasion, the celebration of fifty years of marriage.  The family had decided to honor the occasion with a lovely painting of the family tree by one of the couple’s talented grandchildren.  She creatively features each family member as a bird in the tree.  A son had made the frame — beautifully and solidly built from figured quartersawn cherry, 25″ x 21″.  I was asked to design and carve lettering into the frame and also to incorporate elements related to the tree theme.

After I had played around sketching some ideas, we agreed on a design that focuses on the lettering, but is complemented by a message told by delicate flowing lines of roots and branches — and a couple love birds.  Below is a slideshow of photos.  These are pre-oil, which is why the cherry appears so light.

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I thought I’d also share a really simple project idea that some might find useful.  Projects like this frame call for some full-size drawing on paper, which allows for lots of risk-free sketching and erasing.  An angled drawing board at an appropriate height would be nice, but I don’t have any space at all for one, and it would only be used occasionally anyway.

IMG_2007So I came up with an idea for a drawing board that sets up on my workbench top and can be broken down into a flat panel for easy storage.  I just slide it between a cabinet and the wall when not in use.  It can be built with nothing more than a hand saw and a screwdriver, and with a total of $20 of materials.  It only takes about an hour to build, which is a nice change of pace.

When I need it, it sets up in less than a minute.  I can stand and draw comfortably, or I can sit at my shop stool and extend the drawing board out over the edge of the benchtop.

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At most lumberyards and home centers they have sheets of plywood pre-cut into smaller sizes.  I bought a two foot by four foot piece of 1/2 inch birch plywood for $15.  And a pine 1×4 (actual dimensions 3/4″ x 3 1/2″) eight feet long was under $5.  Finishing washers keep the 1 1/4″ screws from poking through the face of the drawing board.

In the photo below, the legs are fitted for storage, held in place by a couple small opposing wedges.  At only an inch and a quarter thick, easy to store.

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The legs just friction-fit into place…

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…and it’s ready for action.  The edges of the plywood are straight and square to each other, making it convenient for use with a T-square.  The pine boards also act as battens to help keep the top flat.

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A couple notches in the back make it easy to secure the assembly to the benchtop with holdfasts if you wish, or hold it cantilevered out over the front of the bench.

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Here are a couple sketches that may help if you want to build one.

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Posted in holding, layout, Lettering, sketch, Uncategorized | Tagged , | 19 Comments

Boxwood Blunder

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This is the closest I’ve come to working in clay.  Over the winter, I was asked to design and carve a pottery chop, a.k.a. pottery stamp, featuring the ABS initials of the ceramic artist.  I had even been supplied with a lovely turned piece of boxwood along with plenty of extra in the form of a branch section.  After sketching a number of designs, I meticulously carved the letters into the end grain of the boxwood, looked at the results, patted myself on the back, then realized I’m a bonehead  (see below).

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As most of you immediately noticed, I forgot to draw and carve the letters in mirror image!  After beating myself up, I carved a new double-ended blank (as suggested, for large and small pots) from a piece of the boxwood branch and started again.  The top photo shows the results of my test in some clay.  The larger is dime-size, just under 3/4″ (18mm) in diameter.  The smaller is about 11mm, or just under 1/2″.

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I sent along my bungled one as well, thinking maybe it could be used somehow for the molding of a positive stamp of some sort.

This was also the first time I had carved boxwood, and I’ve been missing out.  It’s no wonder it is revered for so many special uses.  This stuff is amazing in its fine grain and ability to hold detail.  It’s hard to describe — maybe like carving a hard wax, but better.  If you find anyone trimming some big old boxwood hedges, save some and dig in.

Posted in finding wood, Lettering, trees, Uncategorized | Tagged , , | 11 Comments

Finding Follansbee

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When I had a little more hair, and Peter had a little less beard.

Several years ago, as I walked around Plimoth Plantation with Peter Follansbee and his peanut butter and jelly sandwich (it was his lunch break), I realized this was not your average dude.  I had been blown away by the work and methods that Peter had been sharing through his blog, and since that meeting I have come to respect much more than his fine craftsmanship and knowledge.  For his sake, I’ll skip the sentiments and just say that it’s because of Peter’s example that I started this blog, and because of his encouragement that I’ve had the opportunity to be a part of Greenwood Fest and meet so many other fascinating people.

If you haven’t had a chance to read Kara Uhl’s recent biographical article about Peter Follansbee, deprive yourself no longer.  It is a story well told.  Then seek an opportunity to meet and/or work with Peter and share in his craftsmanship, humor and wisdom. You’ll be inspired.

 

 

Posted in green woodworking, Uncategorized | Tagged | 2 Comments

Making Things from Trees

 

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IMG_1919Not long ago, this book arrived in the mail, an unexpected and thoughtful gift from a friend.  In it, Robert Penn writes of his experience of felling one ash tree in Herefordshire and having as many things made from it as he could.  Among the dozens of things crafted are turned bowls by Robin Wood and a coracle frame by Malcolm Rees.

The book, The Man Who Made Things Out of Trees, is a tribute to the specific character and rich history of ash (all the more poignant due to the devastation caused by the emerald ash borer so evident on any walk through my neck of the woods as well).  But the real scope of the book transcends ash.  Not meant to be a how-to book, it incorporates history, mythology, biology, and more.  The book especially explores the intimate connection between wood and those who make things from it and make them part of their lives.  This concept was in Penn’s mind even in the planning stages:

“The simple story of one tree would be set in the present, but be about the past — about the ancient accord between man and ash.  It might also stand as a work of advocacy for the future, I thought.  We need to recalibrate our destructive impulse with respect to nature, with our needs….I also wanted to highlight something our ancestors implicitly understood — that the pleasure we take from things made from natural materials is an extension of the pleasure we take from nature itself.”

This feeling is all the stronger when we are able to work with a piece that we have gathered from nature ourselves, or maybe even from a tree that we’ve known well.  I get logs and branches from all sorts of situations, and I sometimes don’t know exactly where the tree stood, but I more often do.  In some cases, the tree is still growing.  I have a spoon carved from a branch of a pear tree that is currently in bloom in our back yard.

IMG_1758There is also pleasure in using parts of a tree that would have otherwise been discarded.  You can often find such pieces in fallen trees or branches left behind from utility company trimming operations and the like.  I collected these pieces in the top photo last weekend from treetops left behind at a logging site a couple miles up the road.  Notice the big sharp oak crook at the bottom.  I’m hoping there’s a cool bird in there.

Larger bowls require larger logs, but good sections can often be found in trees that are otherwise undesirable for sawn boards.  This bowl (in the slideshow below) that I just finished came to me as an offcut from a longer walnut log from a local sawyer.  My son had just painted the fence, so I decided to use it as a background while it was still clean.

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And trees can contain surprises, like the tight knot in this bowl.  I included the eggs for scale — it was Easter after all.

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Posted in books, finding wood, green woodworking, nature, quotes and excerpts, trees, Uncategorized, walnut | Tagged | 1 Comment

Getting Started

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For those interested in starting to carve bowls and spoons from green wood, the unfamiliarity and variety of the tools can be a little intimidating and confusing, especially when they see the large kits built up over many years by experienced carvers.  Compounded with the frustration of limited tool availability and/or limited funds, some put off making shavings: “I’ll start next year when my adze order is filled .” or, “I’ll start when I have the money to buy all of the tools on this list.”  Don’t wait.  Dig in.

Well designed, sensitively crafted tools do typically work better and their cost often reflects that.  However, you can get started carving bowls, spoons and other things from green wood with a very small inexpensive tool kit and begin to develop the fundamental skills and knowledge of the material.  Later you can expand your options with additional tools from the growing number of talented blacksmiths doing incredible work.  As with most of the things in our lives, it is better to have a few good tools rather than a bunch that don’t work well.

A good adze, for example, will cost two or three times as much as a bad one, and be worth every penny.  You will form a relationship with it and one day pass it on to another lucky soul.  If, however, you can’t afford a quality adze right now, or there is a long wait, there’s good news.  You can start carving bowls without an adze, and without a lot of other stuff too.  And you’ll be able to find wood for free — it literally grows on trees.  You don’t really even need a dedicated workshop.

If you’ve already been doing other types of woodworking, you can start by using and adapting some of the tools you already have — bench chisels, vises, workbenches, coping saws, spokeshaves, planes, band saws, etc. — and pick up some specialty tools along the way.  But let’s assume you are starting with no materials or tools and a small budget — where should you begin?  Here are the first three tools, in order, that I’d buy to get started carving bowls, spoons, hooks, and other things from green wood.

IMG_1738If I had only $25 available, I would start by buying a Frosts (Mora) #106 knife.  If I didn’t have $25, I would shovel sidewalks or skip some lunches, then I’d buy the knife.  With that tool alone, one could carve spatulas, hooks, figures, and all sorts of other things — all while developing knife skills and strengthening his or her hands.  There may be lots of reasons to own a higher-end sloyd knife, but in terms of performance, the 106 gets the job done superbly.  And after hogging away lots of wood with a knife, you’ll really appreciate the capabilities of the next tool.

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In retrospect, the axe on the left was a bit of a bear to carve with; too heavy, bad handle (in spite of my ingenious wrap), and not an ideal shape.  But it was what I had, and I made many bowls with it before I bought my Swedish Carving Axe.

My second purchase would be a small axe/hatchet, providing the ability to split branches and shape wood quickly and precisely, leaving less work for the knife.  Tuning up an old axe is probably the most frugal and satisfying solution, but many old, and new, hatchets generally available would require a great deal of grinding to establish an edge effective for carving; the bits are typically just too thick.  Still, your first axe doesn’t have to break the bank; you may be able to find worthwhile examples available at prices to fit a limited budget.  We may hear of some examples in the comment section.  Robin Wood has addressed the situation with  the Robin Wood Axe — a well designed axe and a real bargain.  There are many makers producing wonderful axes today.  Look into Jason Lonon, Julia Kalthoff, and many others.

IMG_1745To make spoons and bowls, you need something to make a hollow, which is beyond the realm of a straight blade. If you’ll be sticking with spoons, pick up a hook knife.  For bowls (and it can hollow spoons as well) I’d buy a long-bent gouge.  If it were to be my only one, it would be something like a #8 sweep and around 30mm (1 1/4″) wide, although that exact size is not at all critical.  There are several good brands available through different suppliers.  It opens up all sorts of possibilities due to its versatility.  You can drive it with a mallet or pare with hand pressure.  A mallet is pretty cheap, but you can also easily make one as simply as shaping a branch with your axe and knife.  A bowl could be made, start to finish, with the axe, the gouge, and the knife.

With the axe, you could hew the exterior to shape (you’ve found a chunk of log for a chopping block by now) and even rough out the hollow somewhat.  Continue shaping that hollow with the gouge and mallet.  An adze is faster, but you can still make quick progress; just get in a rhythm and keep hitting that handle.  Refine the exterior as well with the same dynamic duo, then refine all surfaces by paring with the same gouge. For more holding options, make a low bench or just bore some 3/4 inch holes in a picnic bench (yours) and get a couple holdfasts.  Finish up with some chamfering and detailing with the knife.

So have fun digging into some green wood and exploring the possibilities with resourcefulness.  With experience you’ll know what additional tools you may want to add for your preferred ways of working.  I’ve written some other posts about tools, just check the topic list and search feature on the right sidebar.

Posted in adze, axe, carving, green woodworking, tools, Uncategorized | 15 Comments

Surely You Can’t be Serious?

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That’s what I was thinking when Fine Woodworking Magazine’s Jon Binzen contacted me about the Back Cover for the March/April edition.  Turns out, he was serious and payed a visit to my workshop.  To call this an unbelievable honor would be an understatement.  I am well aware of the hallowed history of Fine Woodworking Magazine and the vital role it continues to play.  It is humbling to consider the incredible work that has graced the back covers over so many years, and I am incredulously grateful for the honor.

They’ve also asked me to write some articles and record a video.  I got right to it before they had a chance to change their minds.  In fact, the film crew was here last weekend, but there’s lots of editing to be done back in Connecticut to sort out my rambling, chopping and the blood (don’t get your hopes up — I still have all my fingers).  So if all goes well, you’ll find some of my thoughts on the pages of Fine Woodworking and in their web content over the coming months.

In the meantime, I’m hoping to write a blog post soon with some straightforward recommendations for those who have questions about tools, equipment, and materials for getting started in carving bowls.  Sort of a tying together of things I’ve mentioned in scattered posts and locations.

 

Posted in classes, publications, teaching, Uncategorized | Tagged | 23 Comments