More Fun with Shrink Tubes

IMG_3169

Sometimes you just have to get an odd idea out of your system.  This one involved shrink pots, or more specifically, shrink tube bottoms.  I’ve written several posts about shrink pots/boxes/tubes with procedures and all that.  Here is a link to a list of those posts.

The whole idea of a shrink pot relies on the concept of a green dynamic ring of wood shrinking around a dry stable bottom.   And shrink tube interiors are perfectly round, straight from the auger.  The wheels started turning and I started measuring coins.  Turns out, a U.S. dollar coin is 1.043 inches in diameter, perfect for popping into the bottom of a shrink tube drilled with a 1 inch auger.  That exact measurement came from the U.S. Mint, here’s a link to their chart with all of the coin measurements.

IMG_3180

I noticed that a half-dollar coin is 1.205 inches and I have a 1 3/16 auger (1.19 inches)… so, now inspired by President Kennedy, I needed to figure out how to make the perfect groove to fit the coins.  Both coins are very close to 2mm thick, so that was at least consistent.

IMG_3211

I cut off the end of an old broomstick which was about 7/8″ in diameter and took a gouge to the inside of an old yard sale marking gauge to go around it as a fence.  There would be lots of ways to achieve the same idea.

IMG_3206

I simply drilled two holes in line with each other across the width of the broomstick and inserted two wood screws until the threads were below the surface.  Then I hacksawed the heads off, leaving just over 1/16″ rising above the surface of the wood.  I filed them to the width of the coins (2mm), then made a groove in one with a triangular file.  I refined the upper edges with a slipstone without reducing the width.  The other nub was filed flat at the front and sides with an angle on top to form a bit of a chisel.  Make sure the width of that second cutter is a bit narrower than the distance between the cutting spurs ahead of it.  Ideally, I’ll file the sides of mine in a little more.

IMG_3214

I put the back end of the broomstick in a vice, slipped the tube over the front end until it was up against the fence and rotated the tube to the right while pressing down on the cutters.  The first cutter scores both sides of the groove and the second cutter clears the wood between.  I used light cuts going around several times, clearing the wet wood bits from the cutters often.  The result was a square groove that would fit over the edges of the coin.  The screws aren’t heat treated tool steel or anything, but they’re still steel cutting green wood; worked fine for this light duty.

Update: I’ve added a sketch below that might make things more clear.  It will all work much better if the sides of the raking cutter (the one on the right) are filed so that it is definitely narrower than the scoring cutter, as shown.

FACB59D6-A1E3-4B19-AD64-27B60BE909C9_1_201_a

Anyway, Noah and I had fun working out the procedures that worked best together.  We found that cutting a bit of a relief angle on the inner edge of the tube between the groove and the bottom edge of the tube allowed the coin to be funneled right down into the groove with a little pressure, then “pop,” it was in there.  It could move side to side in the groove until a couple days later when all of the play was gone and the groove had squeezed over the edges of the coin permanently.

IMG_3167

Noah and I painted them, then cut through the paint with a simple pattern of gouge chips.  The wood beneath was light in color.  Birch, cherry sapwood, and one aspen I think.  We used thinned artist oil paint to create more of a glazed effect.  On the third and fifth ones from the left, another different color after the carving.  We tapered the interior of the top a bit with the tapered reamer and found some nice natural corks straight from the bark that seal the deal.

IMG_3194

I like to use these things for pencil holders; the small ones hold about seven.  The tubes are easy to pop into a pocket, a pack, or even a tool roll.   They could also be handy for all sorts of things I suppose: tools, snacks, cigars?  Regardless, they’re a blast to make and would be a fun project to do with kids as well.  The possibilities for wood species and decoration are endless, and it’s a good use for straight small diameter pieces.

IMG_3159

Above are three small ones in blue, red, and green.  These are about 9 inches long.

IMG_3161

The half-dollar size are about 10 1/2″ long.  Gold over blue, India ink, and white over blue.

IMG_3184

We also made a shrink tube with the 2″ T-handle auger, the one in the middle there.  It’s 8 1/2″ long and has a wood bottom.

I hope you try making some of your own.  Leave a question in the comments if I can help clarify the process for you.  I see on the chart that a penny is 3/4″ and I’ll throw out the dime challenge.   And how big is a two pence?

Posted in green woodworking, paint, patterns, shrink box, Uncategorized | Tagged , , , | 28 Comments

Elbow Adze

IMG_3064

I intended to do this over three years ago — make an elbow adze.  My intentions were so sincere that I purchased the iron from Kestrel Tool.  I even found a branch junction that would work well for the haft and roughed it out of the green white oak, thinking I’d leave it to dry for a couple months, then finish up.  Then other things kept intervening.  45 months later, it’s done, and I like it.

IMG_2993

The crook moved around a good bit as it dried, so it was a good thing that I had left a fair amount of extra material.  I was able to flatten both sides and get things trued up.  I could have just purchased a finished adze from Kestrel, but thought making one would be more fun and better help me to understand this animal that is different in many ways from the adze style I’m used to.

IMG_2996

Kestrel refers to this iron as a “Baby Adze Iron.” The haft I made is about 13 inches long.

Doing it this way forced me to really concentrate on the literature packet that came with the iron that went into great detail on northwest coast elbow adzes and what makes them tick.  In the photo above, the major shaping has been done.  I used a drawknife and sloyd knife, but a rasp came in especially handy with all of that convoluted grain around the tight bend.  My handle is oval in form overall, but more like a squished octagon, with eight facets that merge into the head.  I refined everything with a sharp card scraper.

IMG_2997

I also used a bench chisel on the surface where the iron rests.  Good contact is important there.  I just noticed in the photo of the haft that it makes me think of a horse.

IMG_3003

I temporarily attached the iron with some electrical tape.  This temporary binding allowed me to try out the action of the adze.   I could still make adjustments, including shaving the neck to adjust the action.  There is a liveliness, a slight springiness, to the haft that you can feel as the tool takes a chip.

IMG_3081

After I finished shaping and oiling the handle, I secured the iron to the haft with tight wraps of cord.

IMG_3082

I textured the grip area with cross-grain cuts from a small gouge…

IMG_3083

Then softened the sharp corners between facets with some very fine sandpaper.

IMG_3123

As you can tell most obviously by the straight iron, this isn’t an adze for hollowing bowls but rather for shaping and texturing (although there are also specialized texturing adzes with extra springy hafts).  I’ve spent a total of about 15 minutes using my finished elbow adze now, so we still have to get to know each other.  But we had a great time in our first play session with this chunk of pine.

img_7669

Swinging this tool is quite different from my bowl adze (above).  For one thing, the pivot point on my bowl adze swing is near the base of the short handle.  The significant swell and kick at the bottom of the handle encourages this full rotation that can reach well into a hollow.  Whereas the pivot point on this elbow adze is right above the index finger almost halfway up the haft.  There is more of a rocking motion in the hand, a steady rhythm of back and forth.  At least that’s my initial impression.

Both have their strengths and particular uses, but I’ve got a lot more exploring to do to even begin to understand or comment much more.  Whether you buy an iron or make one from an old car spring or lawnmower blade, an elbow adze is a great project and there’s no need to wait a few years!

IMG_3088

Posted in adze, tools, Uncategorized | Tagged , | 20 Comments

Back to the Hens

IMG_2853

I remember first seeing The Serenity Prayer on a trivet that hung on my grandmother’s kitchen wall:

God, grant me the serenity to accept the things I cannot change,
courage to change the things I can,
and wisdom to know the difference.

I remember, even as a boy, being struck by it — the wisdom, not the trivet — and I find that it returns to my mind from time to time and brings perspective and encouragement.

It has been inspiring to see how so many people have changed things to work within our new set of circumstances.  Among them are those teachers of craft that rely to a large extent on traveling and teaching.  Peter Follansbee, to name one, has begun to expand his video offerings, as he explained  in this post.  I mention it here, for your benefit.  Peter began sharing incredible amounts of information through his blog back in 2008, and has just kept on going, with well over a thousand posts.  I was learning from Peter years before I met him, and still am.

After spending some time with Peter, you can have a go at a hen bowl.  I was able to get back to my rooftop hens I had started in this post last month.  I’ll pick up where I left off for those of you interested in tons of photos of a chunk of walnut getting smaller:

IMG_2754

The adze can’t reach effectively into this tight undercut hollow, at least mine can’t.  So I continued to excavate and shape with a bent gouge.  I also cleaned up the surface of the inner rim and drew a line for the final edge of the hollow.

IMG_2761

The tool will tell you when it has reached its limits.  For the deepest third or so of the hollow, I switched to a spoon bent gouge.  Between both gouges, it’s lots and lots of shavings and assessing with fingertips and eyes until the form of the hollow is nice and full.

IMG_2782

Before I started swinging my axe at the exterior, I took some measures to reduce the chances of knocking off that tail.  I made a few crosscuts, then progressively split off chunks of wood down to them.

IMG_2783

Leaves something like a Lego look to the back end.

IMG_2791

On the front end, I just start in with the axe, knocking off the ridges in distinct planes, which creates new ridges…

IMG_2792

…that are taken down, and so on.

IMG_2795

Eventually, the planes become narrower, more numerous, and curved.

IMG_2810

The tail end is a little more complicated.  I use an adze to go across the grain between the body and the flared tail.  I did some more shaping with the axe after taking the photo above.

IMG_2824

Then I faired the axed surfaces with a spokeshave.

IMG_2845

Then it’s time for a gouge and mallet to create a large channel under the wings.

IMG_2846

Here it is from above.  You’ve got to work downhill with the grain.  I just flipped to the other side of the pegs for the opposite two corners.

IMG_2839

Now it was time to reshape that wide body.

IMG_2847

I marked a rough line on the lower side of the channel.

IMG_2853

Then removed much of the material with the axe…

IMG_2858

…and cleaned up with the spokeshave.

 

IMG_2868

Pegs and holdfasts, you can do just about anything with them.  Here I was shaping the tail a bit more and scooping beneath it.

IMG_2881

There’s two of these going now, with slightly different proportions.  They’ve been drying for a few days.  I’ll get back to them for some flute carving and lots more fun,  heading toward something like this:

IMG_9874

A good way to start is with a smaller version in a softer wood.  The one below is only about eight or nine inches long and can be carved mainly with the same kit you’d use for spoon carving.

It might give your mind a break from those things you can’t change.

Posted in bird bowls, bowls, holding, layout, Uncategorized, walnut | Tagged , , | 14 Comments

Easter Eggs

IMG_2944

Turns out you don’t need little mystery tablets to color Easter eggs.  My wife Kristin and daughter Emma had some fun experimenting with what we had around the house to dye eggs yesterday.  I was like a little kid when they showed me the results, so I had to pop them into a good nest and take a photo.

IMG_2947

The yellows are from turmeric, the pinks from beets.  The purplish blues were from blueberries and the sky blue in the foreground is from red cabbage.  They simmered each ingredient with some water, strained out the solids, then added some vinegar.  There was some wrapping with string and other preliminaries, then the eggs were popped into the dye in mason jars and put into the fridge overnight.  Now they’re ready for delivery.

Which reminds me . . . look who I spied earlier today relaxing beside the hosta shoots.

IMG_2959

Posted in Uncategorized | 15 Comments

Making the Best of It

IMG_2689

Limits encourage creativity.  This is evident in many aspects of life, such as when a resourceful home cook manages to create a splendid meal from the few things left in the cupboard.  Or when an aging athlete expertly adapts his game in consideration of new physical realities.

IMG_2675

The limits in this case were established by a rough walnut log from my neighbor.  Good neighbors are important.  And we’ve been fortunate to have really good ones since we moved into this house nearly a quarter century ago.  So a couple weeks ago, when neighbor Mark Cianci brought me some walnut logs from a tree that had stood behind his motel, the motel built by his father over fifty years ago, I wanted to make the best of it for a little gift.

IMG_2674

The two photos above are actually the other side of the log from which I carved the bowl, or I guess it’s more of a tray.  The tree had been standing dead.  The sapwood had rotted in many spots, the wood was dry and cracks had been migrating in from the outside.

IMG_2676

Once I hewed out the bit of twist and got down to some sound wood, it was clear this was going to be a long slender bowl.  I shaved the blank with a gentle arch across the top and started to lay out the shape of the bowl with some long arcs forming the sides.  I drew these by flexing a metal yardstick and tracing along it.  Forgot to take photos of that.

IMG_2657

With a bottom this long, I had to make extra sure it was truly flat, so as I progressed with a hand plane, I checked for twist with winding sticks, sighting across the edges from a kneeling position to check for parallel.  Mine are just a couple leftover lengths of stock molding with the edge of one darkened with a sharpie for contrast.

IMG_2647

I hogged away most of the material from the interior with an adze, then started to form the corners of the interior.  To chop the dry end grain, I dusted off a heavy 1/2″ mortise chisel I had rescued years ago.

IMG_2648

Nothing fancy here, just trying to get the bulk of the material out of the corners.

IMG_2649

The same for the junction of the interior side walls and bottom.  You can see the marks resulting from working with the #8 or 9 gouge (keeps the corners from digging in) downward from the line above, then across the grain from the side to eventually meet and form the corner running the length of the interior.  After the general shape was there, I switched to a gouge of a more gentle sweep and continued paring all of these surfaces and tidying up the junctions, leaving a bottom of a 1/4 inch thickness, or so.

IMG_2660

After laying out lines on the bottom reflecting the shape of the top and the taper of the interior side walls, it was pretty simple to remove the material from the outer walls with a drawknife.  The smooth surface contrasts with the textured interior.

IMG_2661

I made two sawcuts at each end to remove the majority of the wood from beneath the handles (sort of making a chunky rabbet), then finished by sculpting with a gouge.

IMG_2701

After carving some chamfers to ease the edges, I played around on a practice board with a few gouges, then quickly added the family name on the handles.  This is just a combination of some simple gouge chips; straight down for the initial cut, then follow with an angled back cut to take out a crescent chip.  The Cs are from a #8 20mm gouge.  The A and N are from a #6 20mm gouge.  The I’s are from a #6 14mm, dotted with a little #9.

IMG_2707

Here are a few more photos of the finished piece:

IMG_2715IMG_2724

The dimensions are 24 1/2″ long, 5 1/2″ wide, and 1 5/8″ high.  The size of those giant apples makes the scale a bit deceptive.  Finish is pure linseed (flaxseed) oil.

IMG_2722

After I was done and measured everything, it struck me that you could make this same piece from a two foot chunk of 2×6.  So, if you have one laying around, have at it.  you don’t need an adze, and you can easily adapt what tools you have available.

IMG_2734

Posted in bowls, carving, finding wood, layout, Lettering, trees, Uncategorized | Tagged | 26 Comments

Raffle Heads Up

raffle knife.jpg

Chef’s knife by blacksmith Will Manning

If you don’t get emails from Curtis Buchanan, you should.  All you have to do is subscribe to his mailing list here and wonderful news shows up in your inbox.  New chair plans, course updates, all sorts of good things.  A couple days ago, Curtis informed folks of an incredibly generous raffle orchestrated by his friend Will Manning.  100% of the proceeds of the raffle go to benefit the Restaurant Workers’ Community Foundation COVID-19 Emergency Relief Fund.

I’ll make this short because I think today is the last day to get in on the raffle.  Read more about it and register at this link.

Posted in Uncategorized | 3 Comments

Knotty Story

IMG_2584

This tale from my isolated workshop is actually quite tame compared to Boccaccio’s famous ones from the 14th Century told by a group of friends isolating themselves in an Italian villa; unfortunately timely circumstances.

Amid the adjustments to the ever changing situation,  the workshop was our own stable and comforting retreat yesterday.  Noah and I worked on some spoons and returned to some walnut bowl blanks we had prepared weeks ago.

Considering the knots and form of this log, I decided to split one half of it into two quarters to make a couple “rooftop” bowl blanks — with a 90 degree angle in this case.  Here’s a post I wrote about the rooftop orientation a few years ago, and here’s one more specific to the design I’m working on with these blanks.

IMG_2562

These blanks have been waiting in bags for weeks.  Walnut is so decay resistant that the heartwood doesn’t suffer or stain at all during the interim.  I split and hewed away all of the sapwood in creating the blank.  If I remember correctly, this tree was cut about a year and a half ago.  It sat around outside with the bark intact and the ends painted for many months, then into a garbage bag.  Now, still nice and green.  Wonderful to work.

IMG_2593

To plane a flat strip for the bottom surface, I just open up my vise’s jaws and set the blank in there upside down.  I lay out a line on the end for the bottom surface that is perpendicular to the line that bisects the overall angle of the blank.  By the way, there’s nothing magical about 90 degrees for these blanks.  I adjust depending on the log — 100, 135, 143.8, unknown… whatever.  Play around and see what happens.  In this case, it just made sense to get two blanks out of the half log and consider the knot at the same time.

IMG_2591

You could create the same sort of cradle by making a simple framework with some dimensional lumber and securing it to your workbench.

IMG_2596

I clamp a board at the end of the log to act as a stop to keep the log from sliding during planing.  Come to think of it, I could just clamp a board upright inside the near jaw and accomplish the same thing.

I found a couple photos I took when I prepared these blanks and you can see how the same arrangement works well for holding these pieces for planing the two upper surfaces:

And there’s that knot!

IMG_2602

I play around with the curves of the design a bit with a white Prismacolor pencil on the dark wood, then specify the lines over top of them.  (This is seen more clearly on the top-most photo.)  That white line out in front is me just thinking out loud about a later stage.  It’s not really needed now.  You can transfer the lines to the other side by tracing a pattern from the first side or by transferring key points from the first side to the other with creative use of a compass then filling in between.

That peaked material falls away pretty quickly with an axe, but another method is to make a series of kerf cuts with a saw, then split them away.  It gave Noah some sawing practice and it provides some control over the wild grain around that knot.

The froe works as well as anything to pry in there and knock off the little end-grain triangles.

IMG_2608

The result is a sort of terraced effect.

IMG_2621

Noah went back to spoons as I dug in with the adze, working mainly across the grain or at least partially so.

IMG_2626

I move the blank around to facilitate a better swing.

IMG_2628

The adze also creates some depth, but things are too tight  at a certain point, requiring some other solutions.  More on that later.  For now, this is back in the bag.  It won’t have to wait long, but it will be fine.

I hear the birds and trees calling.  On a walk a couple evenings ago the spring peepers and the red winged blackbirds were creating quite a chorus.  Deer jumped up in front of me and wood ducks were on the water.  I couldn’t help but think of Wendell Berry’s poem The Peace of Wild Things and savor a sense of calm.

IMG_2033

Wishing you peace — and wood chips.

Posted in adze, bowls, layout, nature, quotes and excerpts, Uncategorized, walnut | Tagged , , , | 15 Comments

Revisiting Thoreau’s Tray

IMG_2488

Our life is frittered away by detail . . . I say, let your affairs be as two or three, and not a hundred or a thousand; instead of a million count half a dozen, and keep your accounts on your thumb-nail . . . Simplify, simplify.

— Henry David Thoreau, Walden

IMG_2490

Last spring, I wrote a post about my hewing of a maple serving tray inspired by an entry in Thoreau’s journal.  Thoreau wrote that the miller recommended three months seasoning, but I allowed this one nine before completing it.

IMG_9681

The former post documents all of the axe and adze work from log to the piece in the photo above, ready for drying.  I rubbed a chunk of wax on the end grain before putting it up in the ceiling of the shop.  When I came back to it last month, things had moved around a bit.  I flattened the top and cleaned up the sides and ends with a hand plane.

IMG_2024

Once flat, I placed the tray top side down on the bench.  The benchtop now served as a reference surface for marking the lower edge of the tray and the feet.  A compass works for this, but in this case, I rested a pencil on a couple sharpening stones that were close by and ran them together around the tray.  Then maybe it was a scrap chunk of board as a spacer for the upper line.

IMG_2468

I planed the areas for the feet then worked across the board with a gouge to leave loose rows of texture.  This silver maple didn’t feel very “soft” during that process.

IMG_2471

Now it’s all oiled up and ready to serve.  Trays similar to this could be made by starting with a dry sawn plank in less time, but it was a lot of fun tying this in with Thoreau’s description.  My last tribute to him with this piece was designing and carving the word “simplify” in a corner of the top.

IMG_2474

The dimensions are 17″ long, 7 3/4″ wide, and 1″ high.

Posted in drying, figure, green woodworking, historical reference, Lettering, quotes and excerpts, Uncategorized | Tagged , , | 5 Comments

Silver Maple Bowl

IMG_2417Now that I’ve made several pieces from silver maple, I feel like I’m starting to understand its character.  I compare it to a no-nonsense laborer who wears flashy underpants beneath his overalls.  You know.

Based on what I’ve read recently, I can get to know this tree even better by baking.  In EarthWise: American Indian Traditional Uses of Native Northeast Trees by E. Barrie Kavasch, the author quotes F.W. Waugh from 1916:

“The bark of the soft maple, Acer rubra, [Red Maple], and A. saccharinum [Silver Maple], is dried beside the fire, then pounded in the mortar, sifted, and made into bread; said not to taste badly… used also by neighboring Algonkin tribes, such as the Montagnais.”

Kaviasch adds that, “this practice is immortalized in the Iroquois word Adirondack which means ‘bark eaters.'”

Incidentally, I have been trying, slowly, to learn the art of bread making, so there’s something to try with the next fresh silver maple that comes my way.  For now, I’ve got this silver maple bowl.

IMG_2380IMG_2375

The above two shots of opposite corners show the difference in character found within this one log.  Don’t be too quick to toss a bowl in progress if you encounter a knot or two.  Most often, a tight knot is no problem.  Just use very light cuts and a sharp tool for the final paring.  If a small knot has a soft area, you can often save it by letting some simple liquid super-glue wick into it.

IMG_2407

The dimensions are 16 1/4″ long, 7 3/4″ wide, and 4 3/8″ high.  I’ll include a few more shots below.  If you’re interested in purchasing this one, the price is $625 which includes insured shipping to you.  Just email me at dandkfish@gmail.com.  Update: SOLD

IMG_2373

IMG_2401

Posted in bowls, finding wood, green woodworking, historical reference, quotes and excerpts, Uncategorized | Tagged , | 13 Comments

The Winter of Our Content

0301200841b_Burst01March is here and Spring is around the corner.  But I walked slowly and savored winter this morning.  That corner will get here soon enough.

The bright early sun had yet to get the best of the overnight cold, and the crystalline-edged snow draped across river rocks like frosty sea urchins.

0301200840

0301200841_Burst01

The winter magic transformed even a silt covered oak leaf.

0301200836

The slowly receding water left topographical patterns in ice.

0301200854

Grand chandeliers hung beneath fallen trees over the Little Shenango.

03012008500301200850b

And some pendant lights.

0301200914a

Ice covered the smallest branches and caught the sun.

0301200918b

And the light glowed through papery beech leaves that will soon make way.

0301200917

This opening in the snow seemed like a portal into the next season.  Soon enough.

 

 

Posted in nature, photography, Uncategorized | Tagged , | 12 Comments