Boring Shrink Pots

1 1/4″ Wood Owl Tri-Cut Ultra Smooth Auger Bit

To make a shrink pot, regardless of form, you’ve got to bore at least one hole through end-grain. I typically use an antique T-handle auger for that task. In this old post, I show how I sharpen it and use it. Problem is, auger bits weren’t primarily designed for boring into end grain, so finding one that is up to the task can be frustrating.

With my shrink pot classes coming up this year at Pete’s, I decided to finally purchase some Wood Owl Tri-Cut Ultra Smooth auger bits. I had heard a lot of good things about them, and now I’ve been impressed as well. I have no connection to Wood Owl, I just think it’s a good option if you don’t have a tool/bit that is working well for you already. They come with a 7/16″ hex shank, but I found I was able to secure it well in the two-jaw chuck of my bit brace. Taylor Toolworks makes an adaptor specifically for the 7/16″ hex shank that would be more ideal, I suppose.

The largest diameter available in these bits is 1 1/2″, which is plenty large enough as a starter hole for a shrink pot. In fact, for some pots that may be too large.

Above, I’ve sketched some lines on the end grain surface of a maple log. It’s still green, but not super fresh. This will be for a shrink book, a shrink pot in the form of a book. It’s a relatively small one, so the 1 1/4″ bit will be ideal for drilling a series of three holes to begin the excavation of the interior.

I want to bore from both ends, so I cut the piece to rough length, then split and shave the exterior to rough dimension.

Ready for boring.

Above is a short video clip of the bit in action with a hand brace. The bits also come in longer lengths. The lead screw is excellent and the three cutting edges sheer the end grain well. Still, if you had several holes to bore, especially with the larger 1 1/2″ bit, your elbow will feel the stress eventually.

I experimented with an idea suggested by my friend Roberto to use the bit in a T-handle arrangement. It uses a T-handle socket driver with a deep 7/16″ socket. Wood handles could be added. But I never got that far, because there’s too much play in the joints, so it is difficult to direct the bit during the critical beginning stage. You could weld things together, I suppose. UPDATE: I did some more digging around and found a T-Handle wrench with an integral 7/16″ deep socket that looks promising. Looks like if one were to turn a couple wooden handles, it would be ideal. This one looks promising as well, but it seems that it’s only available in Australia or New Zealand. Also, see Roberto’s input in the comments.

Of course you can always use a 1/2″ electric/cordless drill.

Shrinkmunk 2026, D. Fisher

I’ve been playing around with many shrinkpot ideas, so there will be lots more to share in time. With all of the critters running around excited for spring, it’s a good time to show this one. Further down that same maple limb, there was a side branch poking out that I decided to leave. I removed the bark and allowed the natural surface character of the tree to remain. I shaped the top and added just a few cuts to suggest, maybe, a chipmunk. A shrink pet? Shrinkmunk?

Shrinkmunk 2026, D. Fisher
Posted in shrink box, tools, Uncategorized | 12 Comments

Six Spoons

Carved Spoons, March 2026

My intermittent spoon carving has resulted in six more spoons available for purchase. These were carved from branch crooks. All surfaces are straight from the cutting edge and all have been treated with pure linseed/flaxseed oil and kiln-cured. Ready to serve. The yard stick provides some scale. They range in length from roughly 8″ to 12″. These are all cooking/serving spoons rather than eating spoons. I’ve got more photos below from various points-of-view.

If you are interested, please email me at dandkfish@gmail.com. Let me know if you’d prefer to send a check or receive a PayPal invoice. Prices include shipping. Thank you.

  • #1 Cherry ladle SOLD
  • #2 Maple with milk paint SOLD
  • #3 Sycamore SOLD
  • #4 Cherry SOLD
  • #5 Apple with milk paint SOLD
  • #6 Apple SOLD
That’s a 12″ ruler to the left.
Carved spoon handles

The amount of crank was determined by the natural bend in each crook. The tightest bend in this batch was from the beautiful cherry crook below, the left side (inside) to be specific. The finished ladle (#1 in this batch) is the photo beside it. It’s always a shame to shave away those beautiful lichens from the surface of the bark.

I’ll finish this post with one more photo: the ladle taking shape.

Posted in finding wood, spoons, Uncategorized | 13 Comments

Carve an Ice Cream Bowl

Ice Cream Bowl 7″ x 6″ x 2″. D. Fisher

Last March, I was teaching a bowl-from-a-plank class at Pete Galbert’s. After the students finished their longer bowls, we made what I call an “ice cream bowl.” It was a good opportunity to reinforce the skills and techniques we had worked on with the big bowl, and quick progress was made on these little gems. There are some photos from that class at this post.

I call it an ice cream bowl because it’s a nice size to hold and eat from, and a wood bowl (especially with a wood spoon) is well-suited for ice cream. It insulates from your hand and avoids the “clink, clink, clink” of a metal spoon against ceramic. But feel free to call yours a candy bowl, nut bowl, dip bowl, cereal bowl, loose change bowl…

There are many positives to the process of making these. All it takes is a 7″ long section of a 2″ x 6″ plank, and that’s if you want handles like the one in the photos here. You can make things even more simple by starting with a 6″ length, as we did in class, and make a bowl without handles where each of the four sides is the same. I carved the bowl in these photos from basswood, but at this size any species would be manageable, so there’s no need to shy away from a dry cherry plank. Of course, you can always split a blank from a green log and dig in, too.

Since these can be carved relatively quickly, they provide ideal opportunity for experimenting with various textures, decorative motifs, paint, species of wood, and so on. Make a whole set, one for each guest or family member… or with each guest or family member.

I’ve put together a series of over 25 photographs and illustrations detailing layout, tips, and suggestions, along with a page outlining the general carving procedure. The hollow itself is a rounded/inflated square. I’ll show you a versatile, practical, and quick method for laying it out directly onto the wood. It can easily be scaled up if you wish.

I’ve added the Ice Cream Bowl materials to my Make a Bowl from a Plank package. So, if you’ve already purchased, just log back in, scroll down, and you will see the new addition of the Ice Cream Bowl file. Thanks.

The Make a Bowl from a Plank package now features three designs that can all be made with the same readily accessible materials and tools. All three designs share some common language in terms of general layout and execution, while allowing for a wide range of creative choices and variation. Happy carving!

Bowl from a Plank
Short and Stout Bowls from a Plank
Ice Cream Bowl
Posted in bowls, layout, patterns, Uncategorized | Tagged | 4 Comments

Leaf Pattern Shrink Pot

Maple and Cherry Shrink Pot with Leaf Pattern. 8.5″ x 3.2″. 2026 D. Fisher

This leaf pattern is a design that I’ve been experimenting with on bits of scrap for a long time, tweaking this and that. This four-sided shrink pot, made from a red maple log, was a good canvas for it, and the hard wood holds the detail nicely. The maple also lacks any prominent grain that might otherwise compete visually with the pattern itself.

Maple shrink pot 2026 leaf pattern carving in progress.

The pattern is made up of a series of thumbnail cuts, where one makes a vertical stab cut then a back cut at an angle to the root of it to remove a chip. Simple idea, but one that offers a wide range of design possibilities by playing with three main variables: the sweep of the gouge, the distance of the back cut, and the arrangement of all the cuts. After the gouge work, I ran a central vein up each leaf with a v-tool.

The photo above is from this post I wrote about thumbnail cuts a few years ago.

Above is another example of creative gouge chips, a pineapple pattern on a serving board. More about that in this old post. Now back to the shrink pot:

I decided to do a sliding dovetail lid for this pot, with a little maple knob tenoned into the top.

It was a painstaking challenge to carve the dovetailed area at the top of the inner walls, but it worked out well. The inside of the pot has a gouged surface (unfinished) and is square like the outside of the pot, but with rounded inner corners. There is a taper to the piece overall; the top is 1/4″ smaller than the base. When the lid is almost closed, a pair of matching magnets in the top of the front wall engage to finish the job with a satisfying little pull and click.

This one is for sale. It is 8 1/2″ tall and 3 1/8″ square at the base. The leaf pattern is carved on all four sides. The price of $650 includes shipping. Email me at dandkfish@gmail.com if you’re interested. Thank you. SOLD

Time for me to get back to some bowls and spoons underway…

Posted in carving, patterns, shrink box, Uncategorized | 17 Comments

Another Reason to Like Black Cherry

Between the holidays and other things, I was a little out of rhythm in the workshop for a while. But this past week, I made some progress on several projects, including the prep work for some cherry bowls. The cherry tree (Prunus serotina) had fallen a few years ago and had been undisturbed since. The bark was still intact. Anticipating the coming deep snow, I cut a couple lengths from it and was happy to find the heartwood in great shape, and green. The sapwood is toast, but the decay stopped dead in its tracks at the heartwood, right at that thin dark ring.

If this had been maple or a host of other species, there would have been no chance after that much time. Below is a page from one of my favorite books, Green Woodworking by Drew Langsner. I still refer to it often, and I’m reminded of it even more frequently. Below is a page that includes a helpful reference chart on decay resistance.

I was thinking of making a long bowl form this whole length, but when I split it, an impressive twist was revealed.

I cut it into shorter lengths to reduce the cumulative twist from end to end. So, shorter bowls.

As I hewed a flat surface, I tested those chips by flexing them to make sure the wood was still strong and sound with no unusual breakage indicative of significant decay. Good stuff it seems.

I finished flattening the surface with a drawknife at the bowl horse. Another chance to get to know this particular piece of tree.

Then I flipped it over and shaved away the punky sapwood before striking a compass arc on each end. Shave down to those lines, and my arch-top bowl blank is ready for layout.

I recorded a little video as I did that. At first it may seem like three minutes of random and rapid drawknife work, but there’s a method to the madness. I start by reaching back about 3/4 of the way along the blank and making a series of cuts to remove the excess wood above the line that is facing me. Once I’m to the line all along the arch, I flip the bowl end-for -end and do the same in that direction. Even though I can’t see the line on the opposite end now, I know that it is right where the surface meets the end. So, I can start the drawknife at the very far end and remove the wood from there to the line in front of me. I’m not in a race; the speed and momentum of the knife facilitates the cutting and helps to assure a straight flat path of the knife from line to line. And it’s just such a joy, along with the scent of these green black cherry shavings filling the shop.

As the snow whips around and piles up outside the window this morning, I’m glad that I have these cherry logs inside.

I hope this Eastern Towhee that I watched and snapped a few photos of yesterday has a spot sheltered enough from today’s storm. He must not have noticed the range map that says he’s supposed to be further south this time of year.

What wonderful camouflage. Those side patches are just about the color of dried oak leaves and, incidentally, black cherry wood.

Posted in books, bowls, cherry, finding wood, green woodworking, holding, trees, Uncategorized | Tagged , | 11 Comments

Skullduggery on eBay

This morning, I received an email from someone who noticed that images from my blog had been grabbed to create scam posts by a nefarious eBay seller. I happen to know where this bowl is sitting happily, and it is not at the “Unique_Handicrafts_Shop”. It makes me wonder if they actually ship anything to the buyer. I think not. But wait….there’s more:

This same scam seller has done the same with many other of my photos as well as photos from other makers. See more of the “Unique_Handicrafts_Shop” at this link.

When it comes to computer and online technology, my understanding is quite limited. It’s a wonder that I keep my website and blog together. So if anyone has some suggestions for ways I can at least make things more difficult for scammers, let me know. Put a tag or label on each photo? I see they’ve added their own. Or maybe it’s just the way things are. I assume that anyone familiar with my work would realize it’s a scam, but I hate to think of someone who is unfamiliar losing money over something like this.

I did finally find a way to issue a report to eBay informing them of the situation this morning, but I see the seller and the items are still active at this point. I doubt if I’ll hear anything back.

But before eBay shuts them down you’d better make an offer! I’m kidding. Do not do that.

Posted in Uncategorized | Tagged | 22 Comments

A Couple Tall Ones

Shrink pots 2026, 16 3/4″ high and 15″ high.

I’ve just finished two tall shrink pots. Each represents an experiment with texture and pattern, respectively, and I plan on making a small example of each to take along to my classes at Pete Galbert’s later this year. Meanwhile, both of these are available for purchase now. More photos and information are below.

Both of these began with the boring of a 2″ hole through a green log. The video segment above, recorded back in July, shows me boring with a T-handle auger in black birch. This is the log the taller of these shrink pots came from.

After boring out the centers, shaving down the exteriors roughly round with a drawknife, and fitting the bottoms, I let them dry and shrink. Then they sat around for several months. Blank canvases. The one on the left is black birch. I worked around the exterior walls, across the grain, with a gouge to create textured parallel graduated bands (wider at the bottom of the pot, narrower at the top).

For the one on the right, red maple, I shaved and planed to create an octagonal exterior, then decided to add a chip-carved pattern. I sketched right on the walls, playing around with ideas. After I carved the pattern along each of the eight ridges, the possibility of the four-sided chips (like dots) in between struck me. They line up to create a shallow spiral around the pot and a steep spiral in the opposite direction.

Both are painted with milk paint from Real Milk Paint Co. (RMP finishes) and topcoated with Viking Purified Linseed Oil Wax. I was out of any greens, so both of the colors resulted from mixing blues and yellows from the sample packets I had on hand. The one on the left has an undercoat of a mix of paprika and persimmon. There were plenty of small test pieces.

The lids are cherry and walnut, respectively, and both finials are from riven hickory, for strength in their slenderness.

As I mentioned, both are available for purchase. Ready for storing your dry spaghetti, paint brushes, pick-up-sticks… If you’re interested, please email me at dandkfish@gmail.com. Thanks!

Left (carved rings): Black birch, cherry, hickory, milk paint. 16 3/4″ tall (11 1/2″ without the finial) x 2 3/8″ wide. $475 includes shipping. SOLD

Right (chip carved): Red maple, black walnut, hickory, milk paint. 15″ tall (9 1/4″ without the finial) x 2 3/8″ wide. $475 includes shipping. SOLD

Posted in paint, patterns, shrink box, Uncategorized | Tagged | 9 Comments

Wishes for the New Year

Last week, as I anticipated another road trip for us all together around our star, I carved this ornament.

Here’s my sketch of the design in my notebook. I cut a circle out of a thin (3/8″) basswood board, painted it simply with some acrylic paint, then transferred the drawing with graphite transfer paper and a stylus, then carved. The diameters of the circles, in inches, are on the sketch. I’d like to explore this design more at different scales, wood species, and backgrounds.

I’m ready to hang my 2026 Dickinsons Reach Calendar, having just received it in the mail. This year’s calendar is one of my favorite editions. It features the artwork of Scott Kessel, all from his time spent at Dickinsons Reach over the last 17 years. They are in various media, and they are all wonderful and inspiring.

Wishing you all a peaceful and joyful new year!

Posted in Lettering, paint, Uncategorized | 5 Comments

Peter Galbert Workshops 2026

Not to interrupt your holiday preparations, but just a quick post to let you know that Pete Galbert has just published his full schedule for 2026 at Peter Galbert Workshops. It’s a great lineup of classes with Peter Galbert, Peter Follansbee, Tim Manney, Andy Glenn, Bern Chandley, and newcomers (to Pete’s) Chris Schwarz, David Douyard and Eric Goodson. You can check out the whole schedule HERE. Registration opens up on December 28th.

I’ll be back again teaching a new class in which we’ll explore container making and letter carving. Here’s the description:

In our week together, we will explore container-making with both green and dry wood including the making of a box in the form of a book.  These projects will provide ideal canvases for decorative carving and letter carving, and we will practice both before employing them on our projects.  In addition to carving techniques, we will work to develop individual designs that are meaningful, aesthetically pleasing, and sympathetic to the material and overall forms.  As always, we will also work on important tool sharpening goals and procedures.

First in June, then again in October. I’m looking forward to it!

  

Posted in classes, Uncategorized | 5 Comments

Hal Borland on Snow

I’ve taken a few photos during our snowy December here. I’ve paired them with words from an essay Hal Borland wrote in 1961, from his essay collection Sundial of the Seasons (1964):

One of the penalties of modern life is the loss of appreciation of snow… To travelers everywhere snow is a blinding, slippery hazard to foot and wheel and wing.

Yet the snowflake, of itself, is a thing of fragile, evanescent beauty. it is a delicate water crystal, one of the most transient of all natural forms, a wisp of mist that has briefly acquired tangible shape. A snowfall can transform a woodland into a place of magic, a meadow into a shimmering wonderland. A snowdrift is the frozen grace of the wind, perfection of line and curve and form.

Snow can temporarily restore the lost innocence to a scarred and naughty world of disillusionment and folly.

We know these things. We can believe in them for a little while at the beginning of any Winter.

Posted in nature, quotes and excerpts, Uncategorized | Tagged , , | 10 Comments