Bird Brain Offers New Class

I’ve got birds on my brain. They’ve been fluttering about in the cold bare branches just outside my shop window while I carve bowls inspired by them, inside. I’ve carved a lot of bird bowls over the years. Rather than go for photo-realism, I try to represent the bird through the flow of the lines and have some fun, whether it’s a hen, a wren, a goose, or whatever. There are some examples on my bowl gallery page, and I have a “bird bowl” category in the drop-down menu on the right side of the blog page.

I’ve been sketching and working on some new bird bowl designs, like this painted goose-inspired bowl, because I’m going to offer a new class at Pete Galbert’s School this year: Bird Bowls. Twice, once in June and again in October (those were links to the respective class sessions). Registration for both classes opens on Monday, February 17 at 8:00 am EST.

This goose-inspired bowl will be flying to Pete’s. I carved it from a 3″ x 6″ x 18″ chunk of dry basswood (a.k.a. lime or linden). Basswood is commonly available is sizes like this, and even thicker, at hardwood lumber dealers and many feature online delivery. The same designs can be carved starting from a green log as well. Before June, I’m going to continue to experiment with other bird-inspired designs that will make their way to Pete’s new barn, and we may even work in a little bird time in my Bowl Exploration class next month.

The general procedure and approach we’ll use to carve our bowls in class is the same as that I use to carve all of my bird bowls, so it will be adaptable to whatever forms students want to explore back at home with whatever wood they wish to use. Students will make their own decisions along the way, so each bowl will be as unique as they wish. While they’ll be going home with a couple bowls, it’s the knowledge and skills they’ll be taking with them that will mean the most: interpreting, visualizing, layout, understanding grain direction, decorative carving, creating texture, sharpening, painting and color possibilities…. lot’s of good stuff!

Now, back to the real birds outside my shop window; a most pleasant distraction. This week, I set up the camera in the window and snapped a few photos. I’ll share this series of four photos featuring a pair of cardinals. Of course, the bright red males are well known for their striking color, but I especially appreciate the females with their subtle touches of red among the buff, yellows, and muted grays.

That’s a female in the upper left of the photo below, minding her own business and enjoying her spot on a quaking aspen branch. The male is in the background with that bright red crest ready to impress. I’ll let the photos tell the story, a straightforward age-old tale.

Happy Valentine’s Day.

Posted in bird bowls, classes, Uncategorized | Tagged | 8 Comments

A New Tree Design

New tree pattern for the Bowl-from-a-Plank, freshly carved.

With about six more weeks until my March class at Peter Galbert Workshops, I’ve designed an alternate pattern for the handles of the bowls we’ll be carving. We’ll practice the methods for both designs, and students will have the option of which one to carve on their bowl. The new tree motif is actually a bit easier to execute well, with a foolproof procedure that we’ll go through in class, and I like it at least as much as the old one.

The six-day format of my class at Pete’s allows us to dive into and practice an assortment of decorative carving techniques, and one of the most thrilling moments is seeing students have such quick success with gouge “thumbnail” chip cuts and discovering the creative ways they can be used. Thus, I wanted to feature them in this new design.

The bowl with milk paint and oiled.

Regardless of which design they choose, students will also have the option of painting their bowls. One of the things I’m adding to this class session is a discussion and demonstration of various painting options for bowls.

I’m excited to be working in Pete’s new facility. Pete and his crew have been working on the barn renovation for months now, and I know it is going to be top notch, like everything Pete does. The class is March 10-15 and no experience is necessary. There’s one opening.

I’m also finalizing some plans to offer a class at Pete’s in the summer and in the fall. Something a bit different, I think. More on that soon.

Posted in classes, paint, patterns, Uncategorized | 7 Comments

Adze Owner’s Manual

This idea was sparked a few months ago when I restored an adze. The owner wanted a new handle and some edge reshaping. The head was made by Hans Karlsson. The owner purchased it a couple decades ago from Country Workshops, back when you called or visited Drew Langsner if you wanted a good adze.

As I made and fitted the handle, I took photos of the process.

I took more photos as I straightened the edge, reshaped the bevels, honed, and stropped.

Prints of my adze illustrations

I started to think of other adze-related things that could be included and I decided to put together a bunch of adze-related resources in one place, including scans of illustrations that can be printed at full size. I also organized some links to blog posts and video demonstrations to create a package of stuff to help select, use, and maintain a hollowing adze. There’s a fee to access it, and you can see what all is there at this page. For lack of a better idea, I called it “Adze Owner’s Manual.”

Let me know if you have any questions or problems. I’d be amazed if I didn’t screw up the the technological side of things somehow!

Posted in adze, classes, publications, sketch, tools, Uncategorized, writing | Tagged , , , , , | 32 Comments

Savoring Snow and Announcing a Spring Opening

Outdoor workbench covered with a blanket of snow January 2025

We’re actually having a winter this year. No grass in sight for weeks, and that’s fine with me. I like how it transforms everything.

We walk familiar trails with fresh eyes.

Snow seems to defy gravity.

Even around the camp fire ring.

It’s a great time of year to carve and watch the snow blow outside.

Before long, the wrens will be bringing nest materials back to the box. And I’ll be heading back to Pete’s for a Bowl Carving Exploration class in March. I just heard that there has been a cancellation, so there’s an opening in the class.

October 2024 Bowl Exploration Class at Peter Galbert Workshops (everyone but Jayna)

Among all of the things we’ll be exploring and learning, we’ll also make a bowl. If you can break free for a week in March, I hope to see you at Pete’s.

Posted in classes, nature, Uncategorized | Tagged | 1 Comment

First bowl of 2025

Walnut Bowl 2025, 20″ x 10″ x 4″

This is the bowl I was carving in a post in early November. It was nice to carve 2025 on the foot. 4s aren’t as interesting to carve.

I decided to do a small painted scene on the foot of this one. I drew the lines, painted the areas with milk paint, then carved the incised lines between with a knife. Then some pure linseed oil over it, like the rest of the bowl.

Here’s the top side. The bowl is 20″ long, 10″ wide, and 4″ high. (51cm x 25.5cm x 10 cm) Black walnut. This one is for sale. $1150 includes shipping. If you are interested, please email me at dandkfish@gmail.com. There are a couple more photos below. SOLD

I don’t know how many times I’ve carved this form with subtle variations over the years. It still challenges me and it’s nice to return to from time to time. This is, essentially, the same form I made in a Fine Woodworking article and video series back in 2017.

Including the necklace of arched chip cuts on the handle surface left from the drawknife.

Posted in paint, trees, Uncategorized, walnut | Tagged | 7 Comments

A Little Sip to Bring in the New Year

Cherry cup, 5 1/4″ x 3″ x 3″.

I just finished this little cherry whiskey cup (or kuksa or whatever you want to call it) requested by a friend. It holds about four ounces, more than enough to toast the new year. After making some big bowls recently, it was nice to just sit down and carve something this size. I was having so much fun, I didn’t interrupt myself to take any progress photos.

But I did take some shots when it was all done. They’re in the slideshow below with different angles in case you’d like to carve your own; a good project for New Year’s Day. This one is 5 1/4″ x 3″ x 3″, but it could be scaled up.

Victorian New Year Card, circa 1885
Library of Birmingham, Public domain, via Wikimedia Commons

I’ll end this last post of 2024 with an image of a wonderful Victorian card I stumbled onto. An axe, greenwood, and letter carving! Couldn’t be more appropriate.

Happy New Year! May your troubles be no greater than torn grain and nicked edges.

Posted in bowls, cherry, Uncategorized | Tagged , , , | 24 Comments

Fresh December Snow

The perfect surface gone
Criss-crossed and written on
Where the wild creatures ranged
While the moon rose and shone.

May Sarton, “December Moon” from Coming Into Eighty

Looks like it will be a white Christmas here this year. The bird tracks in the snow yesterday brought May Sarton’s lines to mind. And another, heavier, blanket greeted us this morning.

Where has December gone? I’ll have lots of carving-related stuff to post about soon. For now, have a happy holiday and safe travels wherever you make tracks.

Posted in nature, quotes and excerpts, Uncategorized | Tagged , | 7 Comments

Finishing the Big Round Walnut Bowl

Carved Black Walnut Bowl 18″ diameter x 4″ high.

About a month ago I wrote a post about laying out this walnut bowl to account for the shrinking that would come with drying. Well, I got lucky and it dried pretty close to a circle, but there was still plenty to do. Not just the surface carving, but also dealing with some of the movement that takes place during drying.

After using a block plane to fair a bit of wonkiness out of the upper surface of the rim, I placed the point of my compass just inside the outer edge of the rim and adjusted the span by eye so that the pencil reached to what looked like the center of the bowl. I struck a short arc across the center area. Without changing the compass setting, I moved the compass point around the rim, striking a line each time.

The center of the space between the lines is the center of the bowl.

With the point of the compass placed gently at the center of the bowl, I struck two circles to finally define the rim, making sure both lines were completely within the available field.

With a fresh circle established on top, it was time to turn to the bottom. As expected, the bottom surface had cupped as the bowl dried. Before flattening it, I extended the axes down onto the outer walls of the bowl so that I would be able to re-establish the center point by connecting the lines.

I planed the bottom flat, flipping it over now and then to make sure the bowl sat evenly. In other words, to make sure the planes of the rim and foot were parallel.

Then I re-established the center point and struck the circle that defined the foot.

After more carving to get to the final form of the hollow, I worked my way around the whole interior surface with light push/paring cuts from a shallow gouge (just a small portion of the edge in this case). The subtle cleanly-cut surface will serve and clean up well. This is repetitive work, but each cut takes a certain amount of focus. As the grain orientation changes, adjustments to force and skew have to be made. Still, not a bad time for an audio book. I also textured the outside surface in a similar fashion, but with a steeper gouge. Have another audio book ready. I’ll recommend The Poet’s Corner by John Lithgow. What a world; Morgan Freeman will read poems to you while you carve.

And the final touches. I’m carving (what I’m calling) a pie-crust detail around the inner rim. Notice the holdfasts. If you don’t know what to get that special someone for the holidays — holdfasts.

I’ll end this post with a few shots of the finished bowl. Finish is pure linseed oil, heat-cured over a radiator/space heater. At 18″ (46cm) diameter, this bowl wouldn’t fit in my kiln. This bowl already has a home.

Posted in bowls, finishing/oiling, layout, Uncategorized, walnut | Tagged , , | 26 Comments

Bowl from a Plank in FWW Issue #315

Back in February, Jon Binzen came to my shop and shot photos as I carved a bowl from a board. It will all be in the next issue (#315) of Fine Woodworking magazine, which should go out in a week or so. I’m always amazed to see the final product in the magazine. Whatever I may contribute, Jon and his team surpass it with their photography, editing, and layout artistry. I have a list here of other articles I’ve done with Fine Woodworking.

There are two separate articles in this same issue, one for the bowl, one for the tree. They let me draw layout plans for both. And there’s a lot more in the issue as well, including one on building a sweet tool tote designed by Mike Pekovich. I noticed it’s a nice size for carrying a kit of carving tools.

I first started playing with this design two years ago and I’ve written a few posts about it along the way. A search on the right under “Bowl from a Plank” will bring them up. Jon’s title, “Bowl from a Board” sounds much better, but I’m not going back and changing “plank” to “board” on everything now. This is the same design we carve in my Bowl Carving Exploration course at Pete Galbert’s, but the course, of course, goes well beyond the scope of the article in terms of bowl carving, decorative carving, design, sharpening…

I’ve been hanging on to this one until the issue went to print — just in case there was an emergency requiring more photos. No need to be concerned with that now, so I’m offering it for sale. This is the bowl that was carved from start to finish through the articles. Butternut, 21″ x 6″ x 2″. $750 includes shipping. And I’ll include a copy of issue #315. Email me at dandkfish@gmail.com if you’re interested. Thanks. SOLD

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Ambrosia Maple Bowl — Butterflies Included

Ambrosia Maple Butterfly Bowl 2024. 16 1/4″ x 10″ x 3 5/8″.

I should take my own advice. I tell people to be careful to look for the tiniest checks in the end grain of a log because they will open up as the bowl dries. If a log section has been cut and sitting out in the sun for even a day or two, checks can sometimes run in further than one might think. I also warn against carving, during the green stage, in a breeze. You may have to close the shop windows on a windy day.

A good friend led me to some logs from a silver maple that had recently been taken down. This maple had been visited by ambrosia beetles. It seems that they share their name with the food of the gods because they create their own food within the tree. They bore a system of tunnels and chambers in a tree while carrying a fungus on their bodies. The fungus grows within the tree, generally following the path of the tunnels. The beetles, little farmers, cultivate the fungus growing on the tunnel walls and rely on it as their food source. I suppose the fungus looks less appetizing (to non-beetles) than the classic colorful ambrosia salad, but it sure does leave some bold streaks of color through the wood.

Seeing the abundance of streaks, I wanted to make the most out of this ambrosia maple log, so I resisted cutting off much end grain. As I shaved away gleefully on a breezy day, I noticed a couple narrow cracks working their way in from the ends of the handles (not long after the photo above was taken).

I walked across the shop calmly, pausing only to slam the bowl against my forehead a few times. I grabbed some liquid superglue and let it wick into the crack. I put a couple clamps across the handles for a day, then I removed the clamps and let the bowl dry as usual over the next few weeks. If the cracks were going to open up, I wanted to know now before investing any more time in the bowl. They stayed closed tight.

After the bowl was dry, I finished the inside and outside with gouges. On the exterior of this one, I worked the gouge straight around the bowl with cuts from a #6/12mm gouge.

When it came to the top of the handles, I wanted to add some mechanical assurance against those cracks ever opening up. A method I’ve used before is inlaying the classic butterfly keys, also known as bowties or dovetail keys.

Maple dovetail keys in a walnut table.

I decided to make these keys look more like butterflies. So, I drew up a design for a stylized butterfly. For the wood, I reached for a small box stuffed with ebony offcuts. The box was kindly sent to me by Norm Sartorius a couple years ago and this was a great use for some of it.

I cut and filed three different sized butterflies, about 1/4″ thick. I traced around each inlay with a finely-sharpened pencil, then excavated the wood. I worked mainly with a narrow shallow gouge to first sink a perimeter just a little inside the lines, then break up the wood with a series of stabbing cuts, then plowing the chips out with the gouge. A couple times, then trim up to the pencil line, leaving the line. Some glue, then tap the butterflies down in. After the glue dried, I shaved and scraped them flush to the surface.

Two on one end, large and small.

Medium on the other.

There are a few more shots of the finished bowl below. It’s available for purchase. $875 includes shipping to you. If you’re interested, please email me at dandkfish@gmail.com. Thanks. SOLD

It is 16 1/4″ long, 10″ wide, and 3 5/8″ high. This bowl will hold a lot of fruit, bread, chips and such, but probably not the best for salad; your dressing might leak out through a few beetle holes.

Posted in bowls, figure, finding wood, patterns, trees, Uncategorized | Tagged , , , , , , , , , | 14 Comments