Just Do the Next Thing

Walnut Hen Bowl 2025, detail. 16″ x 8 3/4″ x 6 1/4″

I just finished a hen bowl from black walnut. I’ve made a bunch of these hen/chicken/fowl-inspired bowls over the years. No two of them have been quite the same. Every time I start one I have some uncertainty about how all of the elements are going to come together in the end. Considering all of the details at once can be overwhelming and stop progress.

Here’s that same bowl very early in the process. Roughly a quarter section of the log, but with the wide band of sapwood already split off. At this point, I don’t have to know what the beak is going to be shaped like, or how I’m going to texture the surfaces, or how wide the wings will be. I just put all of that out of my mind for now. I know that I can cross those bridges in time.

Granted, wood carving is a reductive process; once wood has been removed, it’s gone. So I try not to burn too many bridges along the way. There’s a balance and it becomes easier to manage with experience. Even after just going through a process a time or two, the familiarity is reassuring.

Knowing that this bowl will have a “rooftop” orientation, I needed to shave those upper surfaces and the bottom flat. While I’m shaving, the next necessary step is getting done and I can start to think about what overall proportions for layout would work well with this log — the next thing.

With the layout done, I can hollow and hew the piece to rough shape, then pause to think about an appropriate undercut for the wings. And as the bowl sits and dries, I’ll have plenty of time to consider that beak shape.

Keep things in perspective. You don’t have to make the perfect decision for it to be a good decision. There will be other pieces of wood. This is not a matter of whether to snip the red wire or the green wire. And if you’re temporarily stumped on what to do next, sharpen something. That is always a good next thing to do, and it will free up your mind.

Here’s an overall shot of the finished bowl.

Another of the tail section.

And one of the underside, with the egg-shaped foot. I already have a home for this one.

Before my first bird bowl class at Pete Galbert’s in June, I’m going to work on a version of the hen bowl form to bring to the class as a teaching example. Registration opened Monday for the two bird bowl classes this year. The June session is full but there is one opening left for the October session.

Meanwhile, I’m gathering things together to take to my Bowl Exploration class at Pete’s in a couple weeks. I’ve tweaked a few things for the class. In addition to making a long serving/bread/fruit bowl with decorated handles, we’re going to each make a smaller bowl that will introduce other techniques to transfer to all sorts of designs.

I’m calling it an “ice-cream bowl.” It’s just the right size, the wood insulates from the heat of your hand, and it just sounds better than a “broccoli bowl.” We’ve got a great group of people ready to go, but there’s room for one more if you can make it on brief notice. Starts March 10.

Posted in bird bowls, carving, layout, Uncategorized, walnut | Tagged , | 18 Comments

Mallets

Mallets are indispensable, and are made principally from the wood of the apple tree, plum tree, beech, and elm.

Paul N. Hasluck, Manual of Traditional Woodcarving (1911)

If you’re going to carve, you should have a mullet mallet. Sometimes they’re needed because you want to remove bigger chunks of wood much more quickly than you could with hand pressure. But, just as often, it will be appreciated for the additional control that mallet taps provide, such as when you’re negotiating a tight curve or you want to make sure you don’t push the cutting edge too far. A mallet delivers momentum in prescribed packages.

I reach for mine often. As I did so a couple days ago, it hit me (not the mallet) that I had never dedicated a blog post to these important carving tools. So I lined up my mallets and snapped a few photos. There they are again, above, labeled A-H. I’ve been using some of these for thirty years. I’ll mention a few things about each below:

  • A: Froe club or beetle. Hewn and shaved from green apple wood. 48oz. (1360g) Froe clubs usually last me a few years. Eventually all of that striking on the back of the fro blade wears ’em out. It’s easy and fun to make another.
  • B: Mallet with a sugar maple handle and an apple head. 40oz. (1134g) I don’t use this for general carving. But it comes in handy at those times when there’s a little more wood to remove or the cutting edge is extra wide. Not nearly as comfortable and to use as a round mallet.
  • C: Sugar Maple. 20oz. (567g) I think this was my first carving mallet, and the one that has seen the most use over the years. Thirty years ago, I turned it on my brother-in-law’s basement on his Shopsmith Mark 5 set up for lathe work. I made the blank by face-gluing two pieces of a thick maple plank. I was surprised just now to discover that Shop Smith is still making machines — now the Mark 7. Anyway, this is evidence that you don’t have to be a skilled turner to make a good mallet.
  • D: Apple. 17oz. (482g) I turned this from a piece I split from an apple log. Note, none of these round mallets have the pith (center of the tree) in them.
  • E. Maple (I think). 11 oz. (312g) Bought it at a yard sale. I think it might have been made to be a potato masher or something. Works well as a light mallet.
  • Wood is Good Mallet. Maple and Urethane. Labeled as 20oz., but mine weighs 23oz. (652g) . I got this several years ago. It has a solid maple core/handle wrapped with a thick shell of urethane. With apologies to my beloved first mallet (B), this is the one I reach for the most. It is just about perfect. Well-balanced, just the right amount of heft for most carving, easy on my joints, ears, and tool handles. The other mallets get less use now, but I still love them.
  • Wood is Good Mallet. Maple and Urethane. Labeled as 12oz., but mine weighs 14 oz. (397g) Doesn’t get used anywhere near as much as it’s bigger brother, but it’s nice when I’m doing something very delicate.
  • Trow and Holden “round hand hammer” (traditionally called a dummy). Ash and annealed steel. 24oz. (680g) I use this on those rare occasions when I do some letter carving in stone. It could also be used for wood carving though.

    Above and below are different shots of the mallets in the same order.

    So, use a mallet or push with your hands, but do not use your hand as a mallet (not often at least). Paul Hasluck warned about this back in 1911:

    It is a general practice of wood carvers to use the half-closed palm of the hand as a sort of mallet…. most experienced wood carvers have a large hoof in the middle of the palm as a result thereof, and, unfortunately, cannot open their right hands quite straight. In course of time the habit causes the fingers to become rigidly bent inwards, although the flexor tendons and joints are unaffected. Subcutaneous division of the contracted bands sets the fingers free, but a relapse is nearly sure to occur. An eminent surgeon states that there are quite half-a-dozen different operations for this deformity, but he does not know one that is really successful — that is to say, which results in a permanent cure.

    Photo by Lewis Hine, c. 1920s, Minneapolis Institute of Art

    The photo above was taken in the decade after Hasluck’s book was published. Nice Mallet.

    Historical note: the photograph was taken by Lewis Hine, especially known for his series of photographs of young factory workers (unlike this carver). His photographs raised consciousness and were influential in bringing about child labor laws in the United States.

    Posted in photography, quotes and excerpts, tools, Uncategorized | Tagged , , , , | 29 Comments

    Bird Brain Offers New Class

    I’ve got birds on my brain. They’ve been fluttering about in the cold bare branches just outside my shop window while I carve bowls inspired by them, inside. I’ve carved a lot of bird bowls over the years. Rather than go for photo-realism, I try to represent the bird through the flow of the lines and have some fun, whether it’s a hen, a wren, a goose, or whatever. There are some examples on my bowl gallery page, and I have a “bird bowl” category in the drop-down menu on the right side of the blog page.

    I’ve been sketching and working on some new bird bowl designs, like this painted goose-inspired bowl, because I’m going to offer a new class at Pete Galbert’s School this year: Bird Bowls. Twice, once in June and again in October (those were links to the respective class sessions). Registration for both classes opens on Monday, February 17 at 8:00 am EST.

    This goose-inspired bowl will be flying to Pete’s. I carved it from a 3″ x 6″ x 18″ chunk of dry basswood (a.k.a. lime or linden). Basswood is commonly available is sizes like this, and even thicker, at hardwood lumber dealers and many feature online delivery. The same designs can be carved starting from a green log as well. Before June, I’m going to continue to experiment with other bird-inspired designs that will make their way to Pete’s new barn, and we may even work in a little bird time in my Bowl Exploration class next month.

    The general procedure and approach we’ll use to carve our bowls in class is the same as that I use to carve all of my bird bowls, so it will be adaptable to whatever forms students want to explore back at home with whatever wood they wish to use. Students will make their own decisions along the way, so each bowl will be as unique as they wish. While they’ll be going home with a couple bowls, it’s the knowledge and skills they’ll be taking with them that will mean the most: interpreting, visualizing, layout, understanding grain direction, decorative carving, creating texture, sharpening, painting and color possibilities…. lot’s of good stuff!

    Now, back to the real birds outside my shop window; a most pleasant distraction. This week, I set up the camera in the window and snapped a few photos. I’ll share this series of four photos featuring a pair of cardinals. Of course, the bright red males are well known for their striking color, but I especially appreciate the females with their subtle touches of red among the buff, yellows, and muted grays.

    That’s a female in the upper left of the photo below, minding her own business and enjoying her spot on a quaking aspen branch. The male is in the background with that bright red crest ready to impress. I’ll let the photos tell the story, a straightforward age-old tale.

    Happy Valentine’s Day.

    Posted in bird bowls, classes, Uncategorized | Tagged | 8 Comments

    A New Tree Design

    New tree pattern for the Bowl-from-a-Plank, freshly carved.

    With about six more weeks until my March class at Peter Galbert Workshops, I’ve designed an alternate pattern for the handles of the bowls we’ll be carving. We’ll practice the methods for both designs, and students will have the option of which one to carve on their bowl. The new tree motif is actually a bit easier to execute well, with a foolproof procedure that we’ll go through in class, and I like it at least as much as the old one.

    The six-day format of my class at Pete’s allows us to dive into and practice an assortment of decorative carving techniques, and one of the most thrilling moments is seeing students have such quick success with gouge “thumbnail” chip cuts and discovering the creative ways they can be used. Thus, I wanted to feature them in this new design.

    The bowl with milk paint and oiled.

    Regardless of which design they choose, students will also have the option of painting their bowls. One of the things I’m adding to this class session is a discussion and demonstration of various painting options for bowls.

    I’m excited to be working in Pete’s new facility. Pete and his crew have been working on the barn renovation for months now, and I know it is going to be top notch, like everything Pete does. The class is March 10-15 and no experience is necessary. There’s one opening.

    Update: The plans and procedure for laying out and carving this pattern, the bowl, and more, are now available HERE.

    I’m also finalizing some plans to offer a class at Pete’s in the summer and in the fall. Something a bit different, I think. More on that soon.

    Posted in classes, paint, patterns, Uncategorized | 7 Comments

    Adze Owner’s Manual

    This idea was sparked a few months ago when I restored an adze. The owner wanted a new handle and some edge reshaping. The head was made by Hans Karlsson. The owner purchased it a couple decades ago from Country Workshops, back when you called or visited Drew Langsner if you wanted a good adze.

    As I made and fitted the handle, I took photos of the process.

    I took more photos as I straightened the edge, reshaped the bevels, honed, and stropped.

    Prints of my adze illustrations

    I started to think of other adze-related things that could be included and I decided to put together a bunch of adze-related resources in one place, including scans of illustrations that can be printed at full size. I also organized some links to blog posts and video demonstrations to create a package of stuff to help select, use, and maintain a hollowing adze. There’s a fee to access it, and you can see what all is there at this page. For lack of a better idea, I called it “Adze Owner’s Manual.”

    Let me know if you have any questions or problems. I’d be amazed if I didn’t screw up the the technological side of things somehow!

    Posted in adze, classes, publications, sketch, tools, Uncategorized, writing | Tagged , , , , , | 32 Comments

    Savoring Snow and Announcing a Spring Opening

    Outdoor workbench covered with a blanket of snow January 2025

    We’re actually having a winter this year. No grass in sight for weeks, and that’s fine with me. I like how it transforms everything.

    We walk familiar trails with fresh eyes.

    Snow seems to defy gravity.

    Even around the camp fire ring.

    It’s a great time of year to carve and watch the snow blow outside.

    Before long, the wrens will be bringing nest materials back to the box. And I’ll be heading back to Pete’s for a Bowl Carving Exploration class in March. I just heard that there has been a cancellation, so there’s an opening in the class.

    October 2024 Bowl Exploration Class at Peter Galbert Workshops (everyone but Jayna)

    Among all of the things we’ll be exploring and learning, we’ll also make a bowl. If you can break free for a week in March, I hope to see you at Pete’s.

    Posted in classes, nature, Uncategorized | Tagged | 1 Comment

    First bowl of 2025

    Walnut Bowl 2025, 20″ x 10″ x 4″

    This is the bowl I was carving in a post in early November. It was nice to carve 2025 on the foot. 4s aren’t as interesting to carve.

    I decided to do a small painted scene on the foot of this one. I drew the lines, painted the areas with milk paint, then carved the incised lines between with a knife. Then some pure linseed oil over it, like the rest of the bowl.

    Here’s the top side. The bowl is 20″ long, 10″ wide, and 4″ high. (51cm x 25.5cm x 10 cm) Black walnut. This one is for sale. $1150 includes shipping. If you are interested, please email me at dandkfish@gmail.com. There are a couple more photos below. SOLD

    I don’t know how many times I’ve carved this form with subtle variations over the years. It still challenges me and it’s nice to return to from time to time. This is, essentially, the same form I made in a Fine Woodworking article and video series back in 2017.

    Including the necklace of arched chip cuts on the handle surface left from the drawknife.

    Posted in paint, trees, Uncategorized, walnut | Tagged | 7 Comments

    A Little Sip to Bring in the New Year

    Cherry cup, 5 1/4″ x 3″ x 3″.

    I just finished this little cherry whiskey cup (or kuksa or whatever you want to call it) requested by a friend. It holds about four ounces, more than enough to toast the new year. After making some big bowls recently, it was nice to just sit down and carve something this size. I was having so much fun, I didn’t interrupt myself to take any progress photos.

    But I did take some shots when it was all done. They’re in the slideshow below with different angles in case you’d like to carve your own; a good project for New Year’s Day. This one is 5 1/4″ x 3″ x 3″, but it could be scaled up.

    Victorian New Year Card, circa 1885
    Library of Birmingham, Public domain, via Wikimedia Commons

    I’ll end this last post of 2024 with an image of a wonderful Victorian card I stumbled onto. An axe, greenwood, and letter carving! Couldn’t be more appropriate.

    Happy New Year! May your troubles be no greater than torn grain and nicked edges.

    Posted in bowls, cherry, Uncategorized | Tagged , , , | 24 Comments

    Fresh December Snow

    The perfect surface gone
    Criss-crossed and written on
    Where the wild creatures ranged
    While the moon rose and shone.

    May Sarton, “December Moon” from Coming Into Eighty

    Looks like it will be a white Christmas here this year. The bird tracks in the snow yesterday brought May Sarton’s lines to mind. And another, heavier, blanket greeted us this morning.

    Where has December gone? I’ll have lots of carving-related stuff to post about soon. For now, have a happy holiday and safe travels wherever you make tracks.

    Posted in nature, quotes and excerpts, Uncategorized | Tagged , | 7 Comments

    Finishing the Big Round Walnut Bowl

    Carved Black Walnut Bowl 18″ diameter x 4″ high.

    About a month ago I wrote a post about laying out this walnut bowl to account for the shrinking that would come with drying. Well, I got lucky and it dried pretty close to a circle, but there was still plenty to do. Not just the surface carving, but also dealing with some of the movement that takes place during drying.

    After using a block plane to fair a bit of wonkiness out of the upper surface of the rim, I placed the point of my compass just inside the outer edge of the rim and adjusted the span by eye so that the pencil reached to what looked like the center of the bowl. I struck a short arc across the center area. Without changing the compass setting, I moved the compass point around the rim, striking a line each time.

    The center of the space between the lines is the center of the bowl.

    With the point of the compass placed gently at the center of the bowl, I struck two circles to finally define the rim, making sure both lines were completely within the available field.

    With a fresh circle established on top, it was time to turn to the bottom. As expected, the bottom surface had cupped as the bowl dried. Before flattening it, I extended the axes down onto the outer walls of the bowl so that I would be able to re-establish the center point by connecting the lines.

    I planed the bottom flat, flipping it over now and then to make sure the bowl sat evenly. In other words, to make sure the planes of the rim and foot were parallel.

    Then I re-established the center point and struck the circle that defined the foot.

    After more carving to get to the final form of the hollow, I worked my way around the whole interior surface with light push/paring cuts from a shallow gouge (just a small portion of the edge in this case). The subtle cleanly-cut surface will serve and clean up well. This is repetitive work, but each cut takes a certain amount of focus. As the grain orientation changes, adjustments to force and skew have to be made. Still, not a bad time for an audio book. I also textured the outside surface in a similar fashion, but with a steeper gouge. Have another audio book ready. I’ll recommend The Poet’s Corner by John Lithgow. What a world; Morgan Freeman will read poems to you while you carve.

    And the final touches. I’m carving (what I’m calling) a pie-crust detail around the inner rim. Notice the holdfasts. If you don’t know what to get that special someone for the holidays — holdfasts.

    I’ll end this post with a few shots of the finished bowl. Finish is pure linseed oil, heat-cured over a radiator/space heater. At 18″ (46cm) diameter, this bowl wouldn’t fit in my kiln. This bowl already has a home.

    Posted in bowls, finishing/oiling, layout, Uncategorized, walnut | Tagged , , | 26 Comments